The Sorrows of Satan or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance

audiobook

The Sorrows of Satan or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance

by Marie Corelli

EN·~15 hours·44 chapters

Chapters

44 total
1

Transcriber’s Note

0:10
2

\[p 1\]THE SORROWS OF SATANI

23:06
3

\[p 12\]II

9:49
4

\[p 18\]III

19:04
5

\[p 28\]IV

29:45
6

\[p 43\]V

21:58
7

\[p 55\]VI

30:31
8

\[p 71\]VII

26:46
9

\[p 85\]VIII

21:28
10

\[p 96\]IX

22:21

Description

Geoffrey Tempest opens his narrative amid a bitter London winter, faced with the gnawing hunger and humiliation of absolute poverty. He watches the well‑dressed elite glide past in luxurious carriages, their indifference sharpening his resentment and his yearning for a fairer world. In his restless musings he questions why suffering and ambition are crushed beneath the idle comforts of the privileged, while his own spirit wrestles with a growing sense of rebellion.

One night, on the brink of collapse, Geoffrey encounters an enigmatic figure who offers a startling bargain—a glimpse of power that could lift him from destitution. The proposition promises wealth and influence, yet shadows his conscience with doubts about the true cost of such a pact. As the promise unfolds, he is drawn into a conflict between his newly awakened ambition and the lingering echo of his moral convictions, setting the stage for a struggle that will test the limits of his character.

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Details

Full title

The Sorrows of Satan or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance

Language

en

Duration

~15 hours (906K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Julie Barkley, David Wilson and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2013-03-14

Rights

Public domain in the USA.

About the author

Marie Corelli

Marie Corelli

1855–1924

A wildly popular novelist in her own day, she wrote melodramatic, spiritual stories that captivated huge audiences in late Victorian and Edwardian Britain. Her fame once rivaled — and sometimes surpassed — many of the literary names now better remembered.

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