
[](https://www.gutenberg.org/images/cover.jpg)
THE PILLARS OF SOCIETY
A DOLL'S HOUSE
GHOSTS
AN ENEMY OF SOCIETY
This thoughtful study explores how contemporary theater serves as a mirror rather than a decorative escape, arguing that drama reflects the full sweep of social struggle. The author contrasts the detached ideal of “art for art’s sake” with the engaged, almost prophetic role of modern playwrights, who channel the concerns of their age into the stage. By drawing on examples from European masters and early American attempts, the book maps the evolution of drama from pure spectacle to a vehicle for public conscience.
Readers are guided through the ways writers like Strindberg, Ibsen, and emerging American voices embed questions of class, gender, and moral conflict into their characters and plots. The discussion also examines why both radicals and conservatives may miss the deeper messages, often hearing only the familiar slogans instead of the play’s nuanced call for change. Ultimately, the work invites listeners to reconsider theater as a vital forum for social insight, suggesting that future drama will continue to shape and be shaped by the nation's growing pains.
Language
en
Duration
~7 hours (410K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Fritz Ohrenschall, Steven Calwas and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2013-08-17
Rights
Public domain in the USA.

1869–1940
A fierce speaker and writer, she became one of the most recognizable radical voices of her time, arguing for free speech, workers' rights, women's independence, and personal freedom. Her life moved from immigration and factory work to prison, deportation, and exile, but she kept writing and lecturing to the end.
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