The Return of the Prodigal

audiobook

The Return of the Prodigal

by May Sinclair

EN·~9 hours·13 chapters

Chapters

13 total

Transcriber's note

0:10

The Return of the Prodigal

0:13

The Return of The Prodigal - By May Sinclair

0:12

THE RETURN OF THE PRODIGAL

35:37

THE GIFT

47:33

THE FAULT

28:13

WILKINSON'S WIFE

20:59

MISS TARRANT'S TEMPERAMENT

1:23:24

APPEARANCES

35:37

THE WRACKHAM MEMOIRS

1:10:00

Description

The story opens aboard a cramped third‑class carriage on a London‑to‑Crewe train, where an impeccably dressed stranger draws the attention of every passenger. Stephen K. Lepper, a self‑styled “Pork‑Packing Prince” from Chicago, carries a gold‑monogrammed portmanteau, a gleaming watch, and a silence that hints at past sacrifices. Though his attire suggests opulence, his missing fingers and weary expression betray a life of hard labor and sudden reversals. He reveals, in a quiet confession to a clergyman, that he has not seen his mother and two sisters for fifteen years.

As the train rattles through the English countryside, Lepper’s uneasy return becomes a meditation on belonging, wealth, and the cost of ambition. Sinclair weaves a subtle satire of transatlantic extravagance while hinting at the social tensions awaiting him back home. The narrative balances crisp observation with inward reflection, inviting listeners to wonder whether his homecoming will restore family ties or expose deeper rifts. The opening promises a thoughtful exploration of identity, redemption, and the uneasy pull of the past.

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Details

Language

en

Duration

~9 hours (543K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

Mar 10, 2010

Rights

Public domain in the USA.

About the author

May Sinclair

May Sinclair

1863–1946

A sharp, adventurous voice of early 20th-century fiction, she brought psychology, philosophy, and modern ideas into the English novel. Her work ranges from bestselling fiction to ghost stories, literary criticism, and writing for the suffrage movement.

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