Description

In a sharply observed satire of early twentieth‑century society, the narrator declares that humanity—“the restless sex”—has fashioned its own gods only to find that invention fuels even greater restlessness. Against this backdrop a lone child is born, an unexpected by‑product of two aimless lives, and the narrative pits the newborn’s uncertain fate against the absurdities of a world that worships its own created monsters.

Harry Quest is an itinerant actor, charming yet morally untethered, whose fragile health drives him toward desperate experiments with narcotics. He pairs with Laura Conway, a tireless picture‑tinter and ice‑skater, whose modest labor sustains them both as they navigate a precarious marriage. Their newborn arrives into a swirl of idle longing, addiction, and the lingering question of whether the restless nature of their sex can ever find contentment.