The Puppet Crown

audiobook

The Puppet Crown

by Harold MacGrath

EN·~10 hours·30 chapters

Chapters

30 total
1

TO THE MEMORY OF THAT GOOD FRIEND AND COMRADE OF MY YOUTH MY FATHER

0:20
2

CHAPTER I. THE SCEPTER WHICH WAS A STICK

18:19
3

CHAPTER II. THE COUP D'ETAT OF COUSIN JOSEF

19:10
4

CHAPTER III. AN EPISODE TEN YEARS AFTER

28:27
5

CHAPTER IV. AN ADVENTURE WITH ROYALTY

22:56
6

CHAPTER V. BEHIND THE PUPPET BOOTH

23:01
7

CHAPTER VI. MADEMOISELLE OF THE VEIL

22:26
8

CHAPTER VII. SOME DIALOGUE, A SPRAINED ANKLE, AND SOME SOLDIERS

21:26
9

CHAPTER VIII. THE RED CHATEAU

18:47
10

CHAPTER IX. NOTHING MORE SERIOUS THAN A HOUSE PARTY

24:59

Description

In a sun‑drenched garden overlooking a silver‑shimmering lake, King Leopold sits on a throne that feels more like a burden than an honor. A reluctant ruler thrust into power by a continental confederation, he is more philosopher than monarch, dreaming of quiet hills while his court swirls with intrigue. The opening paints a vivid world of turquoise horizons, fluttering butterflies, and the quiet hum of bees, setting the tone for a tale of duty versus desire.

Leopold’s internal struggle becomes the engine of the story, as he watches the British minister and other schemers across the marble path, aware that his crown may be made of straw and his scepter merely a walking stick. Yet his philosophical nature forces him to confront the expectations of a kingdom that bridges old France and new Austria, while the looming Alpine border hints at larger conflicts. Listeners will be drawn into his quiet contemplation and the subtle power games that surround a king who would rather be a dreamer than a ruler.

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Details

Language

en

Duration

~10 hours (582K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Charles Franks, the Distributed Proofreading Team, and David Widger

Release date

2002-05-01

Rights

Public domain in the USA.

About the author

Harold MacGrath

Harold MacGrath

1871–1932

A hugely popular storyteller of the early 1900s, he wrote fast-moving romances, mysteries, and adventures that reached a wide mass audience. He also helped bridge the gap between print and film as one of the first well-known authors hired to write original screenplays.

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