The Prince

audiobook

The Prince

by Niccolò Machiavelli

EN·~4 hours·36 chapters

Chapters

36 total
1

The Prince - by Nicolo Machiavelli - Translated by W. K. Marriott

0:21
2

INTRODUCTION

1:11
3

YOUTH — Æt. 1-25—1469-94

2:22
4

OFFICE — Æt. 25-43—1494-1512

6:06
5

LITERATURE AND DEATH — Æt. 43-58—1512-27

5:56
6

THE MAN AND HIS WORKS

7:51
7

DEDICATION

2:38
8

THE PRINCE

0:00
9

CHAPTER I. HOW MANY KINDS OF PRINCIPALITIES THERE ARE, AND BY WHAT MEANS THEY ARE ACQUIRED

0:47
10

CHAPTER II. CONCERNING HEREDITARY PRINCIPALITIES

1:32

Description

Born into a modest Florentine noble family in 1469, the writer grew up amid the dazzling contrast between Lorenzo de’ Medici’s patronage of the arts and the austere zeal of Savonarola. His early years were marked by the lively customs of his peers—fashion, wit, and the pursuit of pleasure—yet he was also urged by his father to devote himself to study and self‑improvement. When the Medici were expelled in 1494, he entered the Republic’s bureaucracy, quickly rising to a secretary role that placed him at the heart of diplomatic negotiations and military planning.

In the opening chapters of his famous political treatise, he draws on those very experiences—missions to courts, observations of fortified cities, and the fickle loyalties of the populace—to craft stark advice for any leader seeking to maintain power. He argues that a ruler must balance fear and love, adapt to changing circumstances, and earn the confidence of the people rather than rely solely on walls and wealth. Listeners will discover how a sixteenth‑century Florentine’s keen observations still echo in modern discussions of governance and authority.

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Details

Language

en

Duration

~4 hours (279K characters)

Release date

2006-02-11

Rights

Public domain in the USA.

About the author

Niccolò Machiavelli

Niccolò Machiavelli

1469–1527

A sharp-eyed Florentine diplomat and political thinker, he wrote with unusual honesty about power, conflict, and human ambition. His works still spark debate because they feel so direct, practical, and unsettlingly modern.

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