
THE POINT OF VIEW
I. FROM MISS AURORA CHURCH, AT SEA, TO MISS WHITESIDE, IN PARIS.
II. MRS. CHURCH, IN NEW YORK, TO MADAME GALOPIN, AT GENEVA.
III. FROM MISS STURDY, AT NEWPORT, TO MRS. DRAPER, IN FLORENCE.
IV. FROM THE HONOURABLE EDWARD ANTROBUS, M.P., IN BOSTON, TO THE HONOURABLE MRS. ANTROBUS.
V. FROM LOUIS LEVERETT, IN BOSTON, TO HARVARD TREMONT, IN PARIS.
VI. FROM M. GUSTAVE LEJAUNE, OF THE FRENCH ACADEMY, TO M. ADOLPHE BOUCHE, IN PARIS.
VII. FROM MARCELLUS COCKEREL, IN WASHINGTON, TO MRS. COOLER, NEE COCKEREL, AT OAKLAND, CALIFORNIA.
VIII. FROM MISS AURORA CHURCH, IN NEW YORK, TO MISS WHITESIDE, IN PARIS.
A lively, epistolary voice guides us through a transatlantic crossing, where the narrator spends her days pacing the deck, chatting with strangers, and cataloguing the quirks of shipboard life. Her observations are witty and intimate, ranging from the frivolity of a cheap bromide to the solemn stare of her stern mother as the horizon draws near. The sea itself becomes a backdrop for her reflections on freedom, youthful restlessness, and the subtle tensions that arise when a daughter seeks her own path.
As the vessel approaches the New York bay, the narrative shifts toward the anticipation of returning home and the uneasy feelings it provokes. The letter hints at a complex mother‑daughter dynamic, with the mother’s rigid expectations clashing against the narrator’s desire for independence. Through vivid descriptions and gentle humor, the opening promises a thoughtful exploration of identity, family bonds, and the bittersweet promise of new horizons.
Language
en
Duration
~1 hours (107K characters)
Publisher of text edition
Project Gutenberg
Release date
2001-10-01
Rights
Public domain in the USA.

1843–1916
Best known for novels and ghost stories that turn social scenes into psychological drama, this master stylist explored the tensions between Americans and Europeans, innocence and experience. His work helped bridge 19th-century realism and literary modernism.
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by Henry James

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