The Ordeal of Richard Feverel — Volume 3

audiobook

The Ordeal of Richard Feverel — Volume 3

by George Meredith

EN·~2 hours·8 chapters

Chapters

8 total
1

BOOK 3. - XXI. RICHARD IS SUMMONED TO TOWN TO HEAR A SERMON XXII. INDICATES THE APPROACHES OF FEVER XXIII. CRISIS IN THE APPLE-DISEASE XXIV. OF THE SPRING PRIMROSE AND THE AUTUMNAL XXV. IN WHICH THE HERO TAKES A STEP XXVI. RECORDS THE RAPID DEVELOPMENT OF THE HERO XXVII. CONTAINS AN INTERCESSION FOR THE HEROINE - CHAPTER XXI

16:52
2

CHAPTER XXII

21:01
3

CHAPTER XXIII

26:06
4

CHAPTER XXIV

11:22
5

CHAPTER XXV

39:05
6

CHAPTER XXVI

31:11
7

CHAPTER XXVII

5:45
8

ETEXT EDITOR'S BOOKMARKS:

0:20

Description

At Raynham Abbey the restless spirit of the young heir collides with the weight of family duty. When a messenger arrives with a summons for Richard to hear a sermon, the young man rebels, refusing to obey his father’s command. His defiance sets off a frantic chain of messages and hurried plans, hinting at a deeper unease that looms over the household. The tension between filial obedience and personal desire is palpable, framing a story of youthful vigor tested by aristocratic expectations.

Enter Berry, the baronet’s trusted servant, a charismatic figure whose admiration for women and polished speech contrast sharply with the colder, more aloof household staff. Berry’s mission to coax Richard onward becomes a delicate dance of persuasion, hinting at an impending health scare that has already unsettled the family. As Richard darts toward the railway, his hurried reunion with his father reveals a fragile bond strained by pride, anxiety, and the looming specter of an unknown ailment, promising a poignant exploration of love, duty, and the fragile line between strength and vulnerability.

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Details

Language

en

Duration

~2 hours (145K characters)

Publisher of text edition

Project Gutenberg

Release date

2003-09-01

Rights

Public domain in the USA.

About the author

George Meredith

George Meredith

1828–1909

A sharp, witty Victorian voice, this English novelist and poet is best known for brilliant dialogue, psychological insight, and a style that rewards close reading. His work helped push the English novel toward greater complexity, with books like The Egoist and poems such as Modern Love still drawing attention today.

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