The Memoirs of Count Carlo Gozzi; Volume the First

audiobook

The Memoirs of Count Carlo Gozzi; Volume the First

by Carlo Gozzi

EN·~9 hours·9 chapters

Chapters

9 total
1

![Image of the book's cover](https://www.gutenberg.org/images/ill_cover.jpg "Image of the book's cover")

0:45
2

THE MEMOIRS OF COUNT CARLO GOZZI

0:30
3

LIST OF ILLUSTRATIONS. VOLUME THE FIRST.

0:30
4

PREFACE.

11:23
5

INTRODUCTION. Part I. CARLO GOZZI AND PIERO ANTONIO GRATAROL.

32:22
6

Part II. THE ITALIAN COMMEDIA DELL' ARTE OR IMPROMPTU COMEDY.

1:15:14
7

Part III.

2:27:18
8

CARLO GOZZI. - I. My Pedigree and Birth.

4:17:36
9

INDEX.

47:47

Description

Step into the glittering yet precarious world of 18th‑century Venice through the eyes of its most flamboyant dramatist. In these memoirs the count blends vivid recollections of street festivals, aristocratic salons and the bustling theatres of the commedia dell’arte with candid reflections on his own ambitions, rivalries, and the peculiar codes of Venetian society. His voice is witty and incisive, offering both a personal chronicle and a broader portrait of an era on the brink of upheaval.

Accompanying the narrative are lively essays on Italian impromptu comedy, detailed sketches of memorable characters, and illustrated plates that bring the era’s masks and costumes to life. The translation preserves the author’s caustic humor and keen observation, making this rare document an accessible window into a world of decadence, artistry, and the restless intellect of a man who shaped theatrical tradition. Listeners will find a compelling mix of autobiography, cultural commentary, and colorful storytelling that invites them to imagine Venice’s past as never before.

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Details

Language

en

Duration

~9 hours (550K characters)

Release date

2011-12-10

Rights

Public domain in the USA.

About the author

Carlo Gozzi

Carlo Gozzi

1720–1806

A sharp-witted Venetian dramatist, he turned fairy tales into lively stage works and became one of the great defenders of commedia dell’arte. His plays later inspired famous operas, including versions of Turandot and The Love of Three Oranges.

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