The Man Who Knew Too Much

audiobook

The Man Who Knew Too Much

by G. K. (Gilbert Keith) Chesterton

EN·~5 hours·10 chapters

Chapters

10 total
1

THE MAN WHO KNEW TOO MUCH - By Gilbert K. Chesterton

0:03
2

THE MAN WHO KNEW TOO MUCH

0:01
3

I. THE FACE IN THE TARGET

43:03
4

II. THE VANISHING PRINCE

42:30
5

III. THE SOUL OF THE SCHOOLBOY

30:30
6

IV. THE BOTTOMLESS WELL

35:34
7

V. THE FAD OF THE FISHERMAN

40:02
8

VI. THE HOLE IN THE WALL

51:03
9

VII. THE TEMPLE OF SILENCE

53:49
10

VIII. THE VENGEANCE OF THE STATUE

43:46

Description

Harold March, a keen literary reviewer and political commentator, finds himself trekking across the windswept moors toward the famed Torwood Park, where he’s scheduled to interview the Chancellor about a bold new budget. Though his intellect spans art, philosophy and culture, he admits he knows little about the people who shape the world he critiques. The open landscape, with its distant woods and sense of liberty, sets a contemplative tone for his journey.

At a narrow fissure in the ground he discovers a hidden stream and, half‑amused, half‑intrigued, meets a strange, gaunt man who seems more a statue than a fisherman, dipping a child‑like net into the water while mumbling about phosphorescent sea creatures. Their odd conversation drifts from scientific curiosities to the idea that some places ‘happen’ rather than merely exist, hinting at deeper mysteries beneath the tranquil surface. March is drawn into a puzzling encounter that promises both intellectual intrigue and an unsettling sense of the uncanny.

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Details

Language

en

Duration

~5 hours (326K characters)

Release date

1999-04-01

Rights

Public domain in the USA.

About the author

G. K. (Gilbert Keith) Chesterton

G. K. (Gilbert Keith) Chesterton

1874–1936

Best known for the Father Brown mysteries, he was one of England’s most lively essayists and critics, famous for turning serious ideas into witty, surprising prose. His work ranges from detective stories and poems to books on faith, politics, and literature, all marked by a love of paradox and common sense.

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