
THE MAN WHO KNEW TOO MUCH - By Gilbert K. Chesterton
THE MAN WHO KNEW TOO MUCH
I. THE FACE IN THE TARGET
II. THE VANISHING PRINCE
III. THE SOUL OF THE SCHOOLBOY
IV. THE BOTTOMLESS WELL
V. THE FAD OF THE FISHERMAN
VI. THE HOLE IN THE WALL
VII. THE TEMPLE OF SILENCE
VIII. THE VENGEANCE OF THE STATUE
Harold March, a keen literary reviewer and political commentator, finds himself trekking across the windswept moors toward the famed Torwood Park, where he’s scheduled to interview the Chancellor about a bold new budget. Though his intellect spans art, philosophy and culture, he admits he knows little about the people who shape the world he critiques. The open landscape, with its distant woods and sense of liberty, sets a contemplative tone for his journey.
At a narrow fissure in the ground he discovers a hidden stream and, half‑amused, half‑intrigued, meets a strange, gaunt man who seems more a statue than a fisherman, dipping a child‑like net into the water while mumbling about phosphorescent sea creatures. Their odd conversation drifts from scientific curiosities to the idea that some places ‘happen’ rather than merely exist, hinting at deeper mysteries beneath the tranquil surface. March is drawn into a puzzling encounter that promises both intellectual intrigue and an unsettling sense of the uncanny.
Language
en
Duration
~5 hours (326K characters)
Release date
1999-04-01
Rights
Public domain in the USA.

1874–1936
Best known for the Father Brown mysteries, he was one of England’s most lively essayists and critics, famous for turning serious ideas into witty, surprising prose. His work ranges from detective stories and poems to books on faith, politics, and literature, all marked by a love of paradox and common sense.
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