
The Lost Girl - By D. H. Lawrence - New York: Thomas Seltzer - 1921
CHAPTER I THE DECLINE OF MANCHESTER HOUSE
CHAPTER II THE RISE OF ALVINA HOUGHTON
CHAPTER III THE MATERNITY NURSE
CHAPTER IV TWO WOMEN DIE
CHAPTER V THE BEAU
CHAPTER VI HOUGHTON’S LAST ENDEAVOUR
CHAPTER VII NATCHA-KEE-TAWARA
CHAPTER VIII CICCIO
CHAPTER IX ALVINA BECOMES ALLAYE
In a tightly knit mining town where coal dust and ambition mingle, the rhythm of everyday life is dictated by a layered hierarchy—from collier’s families to bank managers and the dominant coal magnate. The community is haunted by a surplus of unmarried women, the “old maids,” who linger on the peripheries of a society that measures a woman’s worth by marriage. Against this backdrop, the Houghton family stands out: James Houghton, a charismatic yet fragile young trader, has built a respectable fortune, and his only child, Alvina, becomes the quiet focus of the town’s hopes and anxieties. The opening chapters trace the town’s social fabric and the lingering question of whether a single marriage can lift a generation of women from the shelves.
Alvina’s upbringing is framed by the expectations of her father’s status and the pressing desire of Woodhouse’s residents to see her escape the fate of the “odd women.” As the narrative moves from the decline of the old Manchester House to the rise of Alvina’s own story, listeners encounter a richly observed portrait of class, gender, and the subtle power of personal choice in a world poised between tradition and change.
Language
en
Duration
~13 hours (764K characters)
Publisher of text edition
Project Gutenberg
Credits
Roger Frank, Roberta Staehlin, and the Project Gutenberg Online Distributed Proofreading Team
Release date
2007-12-03
Rights
Public domain in the USA.

1885–1930
Known for writing with unusual emotional force, this English modernist explored love, class, desire, and the pressures of industrial life. His novels still feel alive because they ask difficult, deeply human questions without flinching.
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