
ÉPÎTRE DÉDICATOIRE
PREFACE
I
II
III
From Father O'Grady to Father Oliver Gogarty.
IV
From Father Oliver Gogarty to Father O'Grady.
From Father Oliver Gogarty to Miss Nora Glynn.
From Father Oliver Gogarty to the Mother Abbess, Tinnick Convent.
A lyrical portrait unfolds along the quiet banks of the Seine, where willowy poplars line the water and the sky hangs heavy with a soft, gray light. The narrator’s voice, steeped in nostalgia, guides us through a garden at the edge of a forest, recalling evenings spent with friends amid rust‑colored leaves and distant swallows. The setting feels both intimate and timeless, a place where music seems to rise from a lone flute on a still lake.
In the first act, a man returns to his homeland after many years away, drawn back by memories of youthful conversations, old acquaintances, and the lingering scent of the countryside. As he walks the familiar paths, he confronts the bittersweet contrast between the vibrant past he remembers and the quiet, sometimes melancholy, present. The story gently explores themes of longing, identity, and the way places can hold both comfort and sorrow, inviting listeners to linger in the reflective mood of the waterside landscape.
Language
en
Duration
~7 hours (405K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Distributed Proofreaders Europe, http://dp.rastko.net Project by Jon Ingram
Release date
2004-02-01
Rights
Public domain in the USA.

1852–1933
An Irish writer who helped bring French-style realism and naturalism into English-language fiction, he was also a sharp-eyed critic and memoirist with one foot in Paris and the other in Ireland. Best known now for novels like Esther Waters, he spent his career testing new ways to write about art, society, and inner life.
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