
THE JEW OF MALTA.
By Christopher Marlowe
THE PROLOGUE SPOKEN AT COURT.
EPILOGUE SPOKEN AT COURT.
THE PROLOGUE TO THE STAGE, AT THE COCK-PIT.
EPILOGUE TO THE STAGE, AT THE COCK-PIT.
DRAMATIS PERSONAE.
THE JEW OF MALTA.
ACT I.
ACT II.
A bold, early‑modern tragedy opens on the sun‑baked island of Malta, where the governor, his son, and a host of merchants, soldiers and clergy move through a world of shifting alliances. At the centre sits Barabas, a wealthy and cunning Jew whose ambition drives him to barter, betray and even murder in pursuit of power and revenge. The prologue, spoken by a Machiavellian figure, warns listeners that the play will explore the dark edges of politics and faith, setting a tone of ruthless intrigue.
Beyond the opening confrontations, the drama follows Barabas as he manipulates friends and foes alike, using his daughter’s marriage and a series of ruthless bargains to tighten his grip on the island. Tensions rise as religious and personal loyalties collide, and the audience glimpses the deadly consequences of his relentless scheming. The first act ends with the stage set for further bloodshed, promising a relentless descent into moral ambiguity and tragedy.
Language
en
Duration
~2 hours (136K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Gary R. Young, and David Widger
Release date
1997-05-01
Rights
Public domain in the USA.

1564–1593
A blazing talent of the English Renaissance, this playwright and poet helped transform the sound of drama with powerful blank verse and unforgettable ambition. Though he died young, works like Doctor Faustus and Tamburlaine secured his place as one of Shakespeare’s most important contemporaries.
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