The Heptalogia

audiobook

The Heptalogia

by Algernon Charles Swinburne

EN·~48 minutes·12 chapters

Chapters

12 total
1

THE HEPTALOGIA - By Algernon Charles Swinburne

0:36
2

THE COLLECTED POETICAL WORKS OF ALGERNON CHARLES SWINBURNE, VOL. V

0:04
3

THE HEPTALOGIA - By - Algernon Charles Swinburne

0:12
4

THE HEPTALOGIA

0:15
5

SPECIMENS OF MODERN POETS - THE HEPTALOGIA - OR - THE SEVEN AGAINST SENSE - A CAP WITH SEVEN BELLS

0:06
6

THE HIGHER PANTHEISM IN A NUTSHELL

1:40
7

JOHN JONES'S WIFE

15:48
8

THE POET AND THE WOODLOUSE

3:27
9

THE PERSON OF THE HOUSE - IDYL CCCLXVI

4:34
10

LAST WORDS OF A SEVENTH-RATE POET

18:46

Description

A daring suite of seven poems opens this collection, each a compact experiment in paradox and wit. The opening piece spins a whirlwind of contradictory statements, turning ideas about God, fate and truth inside out with a gleeful, almost theatrical logic. From that heady start the series drifts through intimate scenes—a lover at a piano, a cliff‑side confession, a surreal dialogue with an unseen spouse—always balancing vivid imagery with a mischievous, questioning voice.

Listeners will find Swinburne’s characteristic musicality pulsing beneath the bewildering riddles, the verses flowing with rich alliteration and rhythmic cadences that make the oddities feel like a song. The poems invite you to linger on each line, to taste the pleasure of language that both teases and provokes thought. It’s a brief, arresting journey through the poet’s playful philosophy, offering enough mystery to keep the mind humming long after the final bell rings.

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Details

Language

en

Duration

~48 minutes (46K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Paul Murray, Diane Monico, and the Project Gutenberg Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2006-04-19

Rights

Public domain in the USA.

Subjects

About the author

Algernon Charles Swinburne

Algernon Charles Swinburne

1837–1909

A bold Victorian poet with a gift for musical language, he became famous for verse that felt rebellious, sensual, and unlike anything else on the page. His work helped make him one of the most distinctive voices linked with the Pre-Raphaelites and the poetic unrest of his age.

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