The Future of English Poetry

audiobook

The Future of English Poetry

by Edmund Gosse

EN·~46 minutes·10 chapters

Chapters

10 total
1

E-text prepared by Meredith Bach and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)

0:25
2

THE ENGLISH ASSOCIATION - Pamphlet No. 25

0:02
3

The Future of English Poetry

0:01
4

By - Edmund Gosse, C.B.

0:01
5

June, 1913

0:15
6

THE ENGLISH ASSOCIATION - Pamphlet No. 25

0:02
7

The Future of English Poetry

0:01
8

By - Edmund Gosse, C.B.

0:01
9

June, 1913

0:00
10

THE FUTURE OF ENGLISH POETRY

45:18

Description

In this thoughtful essay, the speaker addresses an audience of literary enthusiasts, daring to speculate on the trajectory of English poetry over the coming century. He frames the discussion as a blend of modest conjecture and hopeful prophecy, inviting listeners to consider how verse might evolve amid changing cultural currents. By recalling past moments when poetry seemed on the brink of disappearance—such as fleeting lulls in Scandinavian and medieval French traditions—he underscores the resilience of the form.

Drawing from vivid analogies, the author paints a picture of poetic imagination as a winged Pegasus navigating dark skies, never quite certain where it will alight. He weaves historical references, from George Gascoigne’s confidence in poetry’s destiny to Ibsen’s prose‑driven innovations, to illustrate the enduring tension between verse and prose. The piece ultimately suggests that, despite doubts and fleeting fashions, English poetry will persist, continually reshaped by new voices and unforeseen influences.

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Details

Language

en

Duration

~46 minutes (44K characters)

Publisher of text edition

Project Gutenberg

Release date

2010-05-22

Rights

Public domain in the USA.

About the author

Edmund Gosse

Edmund Gosse

1849–1928

Best known for the memoir Father and Son, this English writer turned a strict religious childhood into one of the most memorable personal books of the late Victorian era. He was also a lively critic and man of letters who helped introduce European writers, including Henrik Ibsen, to English readers.

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