
THE FLOWERS AND GARDENS OF MADEIRA
LIST OF ILLUSTRATIONS
THE FLOWERS AND GARDENS OF MADEIRA
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
Step onto the sun‑kissed cliffs of Madeira and let a world of colour unfold before you. This lovingly illustrated guide walks listeners through terraces where azaleas spill from stone walls, bougainvillea drape limestone arches, and towering cypress avenues whisper of centuries‑old estates. With vivid descriptions of the island’s historic gardens—whether a modest courtyard blooming with dwarf roses or a grand plantation alive with pride of Madeira and almond blossom—the narrator paints a picture that feels both intimate and expansive. The gentle rhythm of the prose mirrors the island’s own steady breezes, inviting you to wander from the bustling bay of Funchal to hidden hillside refuges.
Beyond the visual feast, the book shares the story of Madeira’s transformed landscape, recalling how ancient forests gave way to cultivated fields and timber plantations. You’ll hear anecdotes of early travelers’ first impressions, the scent of sweet potatoes and guavas mingling with the perfume of tropical lilies, and the reassuring promise that each cut tree is replaced by a new sapling. Whether you’re a gardening enthusiast, a wanderer at heart, or simply someone who enjoys a serene escape, this auditory journey offers a fragrant, vivid portrait of an island where nature and nurture grow together.
Language
en
Duration
~3 hours (184K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Adam and Charles Black, 1909.
Credits
Greg Weeks, Fiona Holmes, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2021-12-08
Rights
Public domain in the USA.

1869–1955
Best known for lyrical travel books on Japan, Madeira, and the Canary Islands, this British writer brought faraway gardens and landscapes to life for early 20th-century readers. Her books were often paired with illustrations by her sister Ella Du Cane, creating richly visual portraits of place.
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