
THE FLAG AND OTHER POEMS 1918
THE BRITISH LANDS.
THE FLAG.
ENGLAND’S OLDEST COLONY.
IN FORT-BOUND METZ. July 26th, 1914.
THE CALM THAT COMES WITH YEARS.
GOING WEST.
PERFECT IN THY PROMISE.
ARMAGEDDON.
THE FAIRIES.
A voice from the post‑war era, this collection presents a poet who balances pride in the British Empire with a tender affection for the Canadian landscape. The opening pieces, such as “The British Lands” and “The Flag,” set a tone of civic devotion, celebrating shared history while hinting at the quiet anxieties of a world newly scarred by conflict. Roddick’s language is formal yet approachable, allowing listeners to feel both the gravitas and the hope of her time.
The poems wander through many subjects: the steadfast spirit of Newfoundland, the fleeting camaraderie in a 1914 Metz mess hall, the serene reflections of age, and playful verses about trains, fairies, and a “Bugaboo.” Each work offers a distinct mood, from the measured rhythm of “The Calm that Comes with Years” to the vivid, almost cinematic snapshots of battlefield anticipation. The range showcases a poet comfortable with both grand patriotic verse and intimate, everyday observations.
Listening to the anthology feels like stepping into a modestly lit study where each poem is read aloud with measured cadence. The narrator’s clear delivery highlights Roddick’s imagery—maple leaves, sea‑borne flags, and distant mountain tops—so the listener can picture the scenes without needing footnotes. It’s an intimate journey through a nation’s early twentieth‑century heart, inviting reflection on identity, duty, and the quiet moments that endure.
Language
en
Duration
~24 minutes (23K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2016-02-14
Rights
Public domain in the USA.

1868–1954
A Montreal writer and philanthropist, she moved through the city’s literary and social circles while also leaving a lasting mark on McGill University. Her poems, plays, and generous gifts reflect a life shaped by family duty, culture, and public-minded giving.
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