The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation

audiobook

The Botanic Garden, a Poem in Two Parts. Part 1: the Economy of Vegetation

by Erasmus Darwin

EN·~12 hours·50 chapters

Chapters

50 total

THE - BOTANIC GARDEN;

15:55

PART I. - CONTAINING - THE ECONOMY OF VEGETATION. - PART II. - THE LOVES OF THE PLANTS. - WITH

4:07

APOLOGY.

1:53

TO - THE AUTHOR - OF THE - POEM ON THE LOVES OF THE PLANTS. - BY THE REV. W.B. STEPHENS.

3:10

THE ECONOMY OF VEGETATION. - CANTO I.

1:37:20

THE ECONOMY OF VEGETATION. - CANTO II.

1:23:49

THE ECONOMY OF VEGETATION. - CANTO III.

1:06:55

THE ECONOMY OF VEGETATION. - CANTO IV.

1:16:29

CANTO II.

4:25

CANTO III.

3:16
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Description

A sweeping poetic tribute invites listeners to wander through a garden where imagination meets early scientific thought. The verses weave elemental forces, mythic nymphs and fire‑spotted salamanders into a vivid tableau that celebrates the hidden choreography of leaves, roots and sunlight. With a tone that feels both scholarly and lyrical, the work beckons anyone curious about the poetry of nature to listen closely to its whispered secrets.

The first part, “The Economy of Vegetation,” treats plants as living economics, describing how the elements nurture growth and outlining Linnaean classifications in a language that feels like a friendly lecture from an eighteenth‑century naturalist. While the author acknowledges the speculative edges of the era’s philosophy, the poem still offers rich, sensory details—glowing fire‑flies, phosphorescent stones, volcanic heat—that bring the botanical world to vibrant life. Listeners will come away with a deeper appreciation for the delicate balance that sustains the green world, expressed through an enchanting blend of science and verse.

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Details

Language

en

Duration

~12 hours (698K characters)

Publisher of text edition

Project Gutenberg

Release date

Jan 1, 2006

Rights

Public domain in the USA.

About the author

Erasmus Darwin

Erasmus Darwin

1731–1802

A lively figure of the English Enlightenment, he combined medicine, poetry, and bold scientific speculation in a way that still feels surprisingly modern. Long before his grandson Charles became famous, he was already writing about nature, invention, and the possibility of life changing over time.

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