
Transcribed from the 1922 Macmillan and Co. edition by David Price, email ccx074@coventry.ac.uk. Proofing by Andy and his wife.
A meticulous portraitist finds his routine disrupted when Mrs. Munden, a sharp‑tongued family friend, insists he paint her sister‑in‑law, the enigmatic Lady Beldonald. An American beauty who has spent years drifting between the French Riviera and the London drawing‑rooms, she is described as a living work of art—preserved, polished, and oddly aloof. The painter, both intrigued and wary, sees the commission as a chance to explore the delicate etiquette and hidden motives that swirl through their social circle.
As preparations begin, he watches Lady Beldonald’s careful choreography of vanity, likening her to a glass‑encased specimen, flawless yet untouched by the world’s rough edges. The narrative unfolds as a witty, psychological study of how appearance can both shield and imprison, and how an artist might capture the fleeting truth behind a meticulously crafted façade. Set against the elegant backdrop of early‑20th‑century society, the story promises insight into art, identity, and the subtle games of those who live in the spotlight.
Language
en
Duration
~46 minutes (44K characters)
Publisher of text edition
Project Gutenberg
Release date
Oct 1, 2000
Rights
Public domain in the USA.

1843–1916
A master of psychological fiction, this transatlantic novelist explored the tensions between America and Europe with unusual subtlety and depth. Best known for works like The Portrait of a Lady, The Turn of the Screw, and The Ambassadors, he helped shape the modern novel.
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