The Arrow-Maker: A Drama in Three Acts

audiobook

The Arrow-Maker: A Drama in Three Acts

by Mary Austin

EN·~2 hours·9 chapters

Chapters

9 total
1

THE ARROW-MAKER

0:26
2

TABLE OF CONTENTS

0:13
3

PREFACE TO THE FIRST EDITION

6:40
4

NOTE TO THE SECOND EDITION

0:55
5

PERSONS OF THE DRAMA

0:31
6

THE ARROW-MAKER - ACT FIRST

45:42
7

ACT SECOND

35:07
8

ACT THIRD

30:55
9

GLOSSARY OF INDIAN WORDS AND PHRASES THE DANCES COSTUMES - GLOSSARY OF INDIAN WORDS AND PHRASES

6:42

Description

Set in the stark, sun‑baked lands between the Klamath River and the Painted Desert, the drama opens with a close‑knit tribal community whose lives revolve around shared labor, seasonal dances, and the quiet power of the natural world. At the heart of the story is an artisan known as the Arrow‑Maker, whose skill in shaping the perfect shaft makes him both a practical cornerstone and a subtle symbol of his people’s connection to the spirit realm. Across from him stands Chisera, a gifted medicine woman whose rare abilities link the tribe to ancient forces, hinting at the delicate balance between personal destiny and communal expectation.

The first act introduces a pressing dilemma: a sudden shortage of game forces the tribe to rely on the Arrow‑Maker’s craft for a hunt that could decide their survival through the harsh winter. As the community prepares its ceremonial dance, tensions rise between tradition and the looming threat, and the Arrow‑Maker must confront doubts about his own mastery. Listeners are drawn into the quiet intensity of a world where every gesture carries weight, and the promise of a story that explores duty, belief, and the subtle currents of human connection.

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Details

Language

en

Duration

~2 hours (122K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Michael Roe and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2009-01-13

Rights

Public domain in the USA.

About the author

Mary Austin

Mary Austin

1868–1934

A vivid early voice of the American Southwest, she turned deserts, mountains, and borderland communities into literature that still feels fresh. Best known for The Land of Little Rain, she wrote with a sharp eye for nature, place, and human struggle.

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