
audiobook
by Tobias Smollett
COMPLETE IN TWO PARTS
PART II.
CHAPTER THIRTY-NINE OUR ADVENTURER IS MADE ACQUAINTED WITH A NEW SCENE OF LIFE.
CHAPTER FORTY HE CONTEMPLATES MAJESTY AND ITS SATELLITES IN ECLIPSE.
CHAPTER FORTY-ONE ONE QUARREL IS COMPROMISED, AND ANOTHER DECIDED BY UNUSUAL ARMS.
CHAPTER FORTY-TWO AN UNEXPECTED RENCONTRE, AND A HAPPY REVOLUTION IN THE AFFAIRS OF OUR ADVENTURER.
CHAPTER FORTY-THREE FATHOM JUSTIFIES THE PROVERB, "WHAT'S BRED IN THE BONE WILL NEVER COME OUT OF THE FLESH."
CHAPTER FORTY-FOUR ANECDOTES OF POVERTY, AND EXPERIMENTS FOR THE BENEFIT OF THOSE WHOM IT MAY CONCERN.
CHAPTER FORTY-FIVE RENALDO'S DISTRESS DEEPENS, AND FATHOM'S PLOT THICKENS.
A weary traveler finds himself thrust into a bizarre world of cramped chambers and frantic commands, where even the simplest request—such as delivering eggs or butter—becomes a tangled proclamation of debt, authority, and absurdity. The Count, newly lodged in a modest room for a modest rent, is soon drawn into the eccentric social rituals of his fellow inmates, who eagerly welcome him with formal courtesies that feel both sincere and oddly theatrical. Their leader, the peculiar Captain Minikin, makes an unforgettable impression with his diminutive stature, weather‑worn visage, and a voice that sounds like a bassoon buzzing in a hive, speaking in a patchwork of poetic quotations and French phrases.
Through their lively dialogue, the Count begins to glimpse the strange hierarchy and hidden histories that govern this confined community, sparking his curiosity about the mysterious “king” and the other colorful characters who inhabit the place. As he settles into this unexpected society, listeners are invited to share his mix of bewilderment and fascination, setting the stage for further escapades and revelations.
Language
en
Duration
~8 hours (474K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Tapio Riikonen and David Widger
Release date
2004-10-01
Rights
Public domain in the USA.
Subjects

1721–1771
A sharp, funny voice of the 18th century, this Scottish novelist and surgeon turned the chaos of travel, medicine, and everyday life into energetic satire. His stories helped shape the English comic novel and still feel lively for their bold characters and fast pace.
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