Spenser's Faerie Queene, Vol. 2 (of 2) : $b Books IV-VII

audiobook

Spenser's Faerie Queene, Vol. 2 (of 2) : $b Books IV-VII

by Edmund Spenser

EN·~14 hours·7 chapters

Chapters

7 total
1

Transcriber’s note

0:22
2

SPENSER’S FAERIE QUEENE

13:12:46
3

A Letter of the Authors

9:31
4

COMMENDATORY VERSES

6:47
5

DEDICATORY SONNETS

12:37
6

CRITICAL APPENDIX.

52:56
7

Transcriber’s note

0:22

Description

This middle portion of the epic continues Spenser’s grand allegorical sweep, weaving together heroic adventure, courtly romance and moral instruction. The poetry is dense with Elizabethan language yet alive with vivid battles, enchanted forests and towering castles, letting listeners picture a world where every quest reflects a deeper virtue. Throughout the four books, the tone shifts from the warm celebration of steadfast friendship to more contemplative meditations on temperance and the fickle nature of change.

Book IV follows the legend of Cambel and Telamond, two companions whose loyalty is tested by temptation and rivalry, illustrating the strength of true camaraderie. Book V turns to Artegall, a knight pursuing justice on behalf of the queen, while Book VI chronicles Sir Calidore’s graceful journey through a realm of courtesy and honor. The final two cantos, Mutability, offer a lyrical rumination on the ever‑shifting currents of life, reminding listeners that even in a world of myth, change remains the only constant.

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Details

Language

en

Duration

~14 hours (840K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Oxford: Clarendon Press, 1909, reprint 1964.

Credits

Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2024-01-12

Rights

Public domain in the USA.

About the author

Edmund Spenser

Edmund Spenser

1551–1599

Best known for The Faerie Queene, he helped shape English poetry with rich allegory, musical language, and a verse form that later writers admired and borrowed. His work stands at the crossroads of medieval romance and the English Renaissance.

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