Songs at the Start

audiobook

Songs at the Start

by Louise Imogen Guiney

EN·~52 minutes·53 chapters

Chapters

53 total
1

ERRATA.

1:35
2

Songs at the Start.

0:01
3

GLOUCESTER HARBOR.

1:41
4

LEONORE.

0:46
5

A BALLAD OF METZ.

3:01
6

PRIVATE THEATRICALS.

0:34
7

DIVINATION BY AN EASTER LILY.

0:23
8

THE RIVAL SINGERS.

1:46
9

AFTER THE STORM. - I.

0:37
10

HEMLOCK RIVER.

0:18

Description

A voice of a bygone era rises from the pages, guiding listeners through a medley of vivid scenes that feel both intimate and sweeping. The opening verses chart the restless energy of a harbor, where children watch ships slip away and the sea’s fierce spirit swallows the shore with both cruelty and charm. That same lyricism turns to a tender portrait of a fleeting lover, whose presence is compared to a fragrant breeze and a sun‑lit fountain, inviting the ear to linger on the delicate balance of hope and yearning.

The collection then shifts to a brisk, martial rhythm, recalling a battlefield where bravery and grief collide, yet the speaker’s tone remains wry and observant. Throughout, each poem blends concrete detail with sweeping metaphor, allowing the listener to taste salty spray, feel the pulse of a marching drum, and hear whispers of lost romances. The result is a tapestry of emotions that feels like stepping into a series of short, resonant snapshots—perfect for a quiet afternoon or a reflective evening.

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Details

Language

en

Duration

~52 minutes (50K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Emmy, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2016-09-19

Rights

Public domain in the USA.

About the author

Louise Imogen Guiney

Louise Imogen Guiney

1861–1920

A poet, essayist, and editor from Boston’s literary world, this writer became known for graceful, carefully shaped verse touched by history, faith, and an old-world love of chivalry. Her work bridges American literary life and a later scholarly life in England.

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