
audiobook
PREFACE.
SIR HENRY IRVING
CHAPTER I. 1838-1856. SCHOOL-DAYS—EARLY TASTE FOR THE STAGE—FIRST APPEARANCE.
CHAPTER II. 1857-1859. EDINBURGH AND THE SCOTTISH THEATRES.
CHAPTER III. 1866. THE ST. JAMES’S THEATRE—‘HUNTED DOWN’—THE NEW VAUDEVILLE THEATRE—‘THE TWO ROSES.’
CHAPTER IV. 1871. ‘THE BELLS’—WILLS’S ‘CHARLES I.’
CHAPTER V. 1874. ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’
CHAPTER VI. 1878. THE NEW MANAGER OF THE LYCEUM—MISS TERRY—HIS SYSTEM AND ASSISTANTS.
CHAPTER VII. 1879. ‘THE MERCHANT OF VENICE.’
CHAPTER VIII. 1880. ‘THE CORSICAN BROTHERS’ AND ‘THE CUP.’
This volume follows the remarkable journey of a 19th‑century actor who rose from modest school‑yard performances to become the leading figure of the English stage. Through vivid recollections of his early apprenticeships, itinerant tours, and the gritty realities of a travelling troupe, the narrative captures the grit, patience and ambition required to survive in a world where success was as fleeting as a passing train. The author, a contemporary critic who watched every turn of the actor’s career, offers a candid look at the personal discipline and adventurous spirit that shaped his legend.
The heart of the book is a detailed chronicle of more than two decades at the famed Lyceum Theatre, where the actor’s most celebrated productions were staged. Readers will hear about his bold interpretations of Shakespeare, his innovative management of the company, and the lively debates surrounding theatrical practice of the era. Rich with contemporary reviews and personal anecdotes, the account provides an intimate portrait of a man whose perseverance left an indelible mark on Victorian theatre.
Language
en
Duration
~5 hours (327K characters)
Publisher of text edition
Project Gutenberg
Credits
MFR and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2021-02-16
Rights
Public domain in the USA.
Subjects

1834–1925
An energetic Victorian man of letters, he moved easily between fiction, criticism, biography, journalism, and even sculpture. His work opens a lively window onto literary London and the tastes of the late 19th century.
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