
BOOK 1 I. THE POLES PRELUDE II. THE EXPEDITION BY MOONLIGHT III. WILFRID'S DIPLOMACY IV. EMILIA'S FIRST TRIAL IN PUBLIC V. EMILIA PLAYS ON THE CORNET VI. EMILIA SUPPLIES THE KEY TO HERSELF AND CONTINUES HER PERFORMANCE ON THE CORNET VII. THREATS OF A CRISIS IN THE GOVERNMENT OF BROOKFIELD: AND OF THE VIRTUE RESIDENT IN A TAIL-COAT VIII. IN WHICH A BIG DRUM SPEEDS THE MARCH OF EMILIA'S HISTORY IX. THE RIVAL CLUBS X. THE LADIES OF BROOKFIELD AT SCHOOL - BOOK 2 XI. IN WHICH WE SEE THE MAGNANIMITY THAT IS IN BEER. XII. SHOWING HOW SENTIMENT AND PASSION TAKE THE DISEASE OF LOVE XIII. CONTAINS A SHORT DISCOURSE ON PUPPETS XIV. THE BESWORTH QUESTION XV. WILFRID'S EXHIBITION OF TREACHERY XVI. HOW THE LADIES OF BROOKFIELD CAME TO THEIR RESOLVE XVII. IN THE WOODS - BOOK 3 XVIII. RETURN OF THE SENTIMENTALIST INTO BONDAGE XIX. LIFE AT BROOKFIELD. XX. BY WILMING WEIR XXI. RETURN OF MR. PERICLES XXII. THE PITFALL OF SENTIMENT XXIII. WILFRID DIPLOMATIZES XXIV. EMILIA MAKES A MOVE XXV. A FARCE WITHIN A FARCE - BOOK 4 XXVI. SUGGESTS THAT THE COMIC MASK HAS SOME KINSHIP WITH A SKULL XXVII. SMALL LIFE AT BROOKFIELD XXVIII. GEORGIANA FORD XXIX. FIRST SCOURGING OF THE FINE SHADES XXX. OF THE DOUBLE-MAN IN US, AND THE GREAT FIGHT WHEN THESE ARE FULL-GROWN XXXI. BESWORTH LAWN XXXII. THE SUPPER XXXIII. DEFEAT AND FLIGHT OF MRS. CHUMP - BOOK 5 XXXIV. INDICATES THE DEGRADATION OF BROOKFIELD, TOGETHER WITH CERTAIN PROCEEDINGS OF THE YACHT XXXV. MRS. CHUMP'S EPISTLE XXXVI. ANOTHER PITFALL OF SENTIMENT XXXVII. EMILIA'S FLIGHT. XXXVIII. SHE CLINGS TO HER VOICE XXXIX. HER VOICE FAILS - BOOK 6 XL. SHE TASTES DESPAIR XLI. SHE IS FOUND XLII. DEFECTION OF MR. PERICLES FROM THE BROOKFIELD CIRCLE XLIII. IN WHICH WE SEE WILFRID KINDLING XLIV. ON THE HIPPOGRIFF IN AIR: IN WHICH THE PHILOSOPHER HAS A SHORT SPELL. XLV. ON THE HIPPOGRIFF ON EARTH. XLVI. RAPE OF THE BLACK-BRIONY WREATH XLVII. THE CALL TO ACTION XLVIII. CONTAINS A FURTHER VIEW OF SENTIMENT XLIX. BETWEEN EMILIA AND GEORGIANA - BOOK 7 L. EMILIA BEGINS TO FEEL MERTHYR'S POWER LI. A CHAPTER INTERRUPTED BY THE PHILOSOPHER LII. A FRESH DUETT BETWEEN WILFRID AND EMILIA LIII. ALDERMAN'S BOUQUET LIIV. THE EXPLOSION AT BROOKFIELD LV. THE TRAGEDY OF SENTIMENT LVI. AN ADVANCE AND A CHECK. LVII. CONTAINS A FURTHER ANATOMY OF WILFRID LVIII. FROST ON THE MAY NIGHT. LVIX. EMILIA'S GOOD-BYE - SANDRA BELLONI - ORIGINALLY EMILIA IN ENGLAND - BOOK 1 - I. THE POLES PRELUDE II. THE EXPEDITION BY MOONLIGHT III. WILFRID'S DIPLOMACY IV. EMILIA'S FIRST TRIAL IN PUBLIC V. EMILIA PLAYS ON THE CORNET VI. EMILIA SUPPLIES THE KEY TO HERSELF AND CONTINUES HER PERFORMANCE ON THE CORNET VII. THREATS OF A CRISIS IN THE GOVERNMENT OF BROOKFIELD: AND OF THE VIRTUE RESIDENT IN A TAIL-COAT VIII. IN WHICH A BIG DRUM SPEEDS THE MARCH OF EMILIA'S HISTORY IX. THE RIVAL CLUBS X. THE LADIES OF BROOKFIELD AT SCHOOL - CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
In late spring, the spirited daughters of Brookfield—Arabella, Cornelia and Adela—find themselves swept up in a whisper that haunts the nearby fir woods. A voice, tender and otherworldly, drifts through the night, sparking fierce debate among the young women: is it a celebrated vocalist hired for amusement, or something far more mysterious? Their curiosity intertwines with a mounting desire to prove themselves socially, and music swiftly rises to the forefront of their ambitions, promising a route to distinction in a world that prizes both elegance and influence.
When the enigmatic Mr Pericles, a wealthy patron of the arts, offers a dazzling performance to the girls, the girls’ circle is thrust into a lively mix of intrigue and rivalry. Emilia, a budding talent, steps onto the public stage and embraces the cornet, while Wilfrid’s diplomatic maneuvers hint at deeper currents beneath the genteel surface. As clubs clash and rumors of a governmental crisis flicker, the ladies of Brookfield begin a delicate dance of friendship, ambition, and the sweet pull of melody that will shape their early adventures.
Language
en
Duration
~2 hours (152K characters)
Publisher of text edition
Project Gutenberg
Release date
2003-09-01
Rights
Public domain in the USA.

1828–1909
A sharp, witty Victorian voice, this English novelist and poet is best known for brilliant dialogue, psychological insight, and a style that rewards close reading. His work helped push the English novel toward greater complexity, with books like The Egoist and poems such as Modern Love still drawing attention today.
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