
A keen‑eyed scholar of the late Qing era brings his lifelong fascination with Chinese lyric poetry to life, weaving together history, philology and personal reflection. His essays move beyond mere commentary, offering a window into the intellectual currents that shaped the poetic tradition. Listeners will feel the pulse of a mind that loved both the ancient texts and the restless spirit of his own time.
Central to the work is the concept of “境界” – the artistic realm that a poem strives to achieve. The author distinguishes between constructing a poetic world and simply describing one, and he further explores how a poet’s sense of self can either dominate the scene or dissolve into a self‑less vision. By examining verses from the Five Dynasties through the Song dynasty, he shows how these ideas illuminate the subtle balance of idealism and realism that defines the greatest lyrics.
Written with clarity and occasional lyrical flair, the collection invites listeners to hear the textures of classical Chinese poetry through a fresh, analytical lens. It is both a scholarly guide and a meditative journey for anyone eager to discover how emotion, nature and imagination intertwine in the art of ci.
Language
zh
Duration
~15 minutes (14K characters)
Publisher of text edition
Project Gutenberg
Release date
2008-01-02
Rights
Public domain in the USA.

1877–1927
A brilliant early 20th-century Chinese scholar, poet, and literary critic, he helped bring together classical Chinese learning and Western thought. His writing on poetry, drama, history, and aesthetics made him one of the most influential intellectuals of his time.
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