
Produced by David Widger
THE FUGITIVE
PERSONS OF THE PLAY
ACT I. George Dedmond's Flat. Evening. - ACT II. The rooms of Malise. Morning. - ACT III. SCENE I. The rooms of Malice. Late afternoon. - SCENE II. The rooms of Malise. Early Afternoon. - ACT IV. A small supper room at "The Gascony."
ACT I
CURTAIN. - ACT II
CURTAIN. - ACT III
CURTAIN. - SCENE II - SCENE II—The same, early on a winter afternoon, three months later. The room has now a certain daintiness. There are curtains over the doors, a couch, under the window, all the books are arranged on shelves. In small vases, over the fireplace, are a few violets and chrysanthemums. MALISE sits huddled in his armchair drawn close to the fore, paper on knee, pen in hand. He looks rather grey and drawn, and round his chair is the usual litter. At the table, now nearer to the window, CLARE sits working a typewriter. She finishes a line, puts sheets of paper together, makes a note on a card—adds some figures, and marks the total.
CURTAIN - ACT IV
CURTAIN. - THE PIGEON
The evening settles over a sleek Westminster flat, its polished drawing‑room bathed in the glow of a setting sun and the soft clack of bridge cards. George Dedmond, a poised civilian with a military bearing, prepares for a dinner that will bring his stern father, General Sir Charles, and a circle of relatives and friends. Attentive servants move through the room like pieces on a board, their quiet efficiency contrasting with the tension bubbling beneath the genteel surface. The stage is set for a domestic drama that probes the expectations of upper‑class life.
When Clare, George’s wife, slips away without a word, only a courteous note remains, and the air grows thick with unease. George’s attempts to keep the evening on schedule clash with whispered concerns among the staff, hinting at hidden grievances and the promise of scandal. As the first act closes, the audience is drawn into a web of family duty, personal desire, and the subtle power struggles that define the characters. The play promises sharp dialogue and an astute observation of early‑twentieth‑century London society.
Language
en
Duration
~5 hours (293K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-09-26
Rights
Public domain in the USA.
Subjects

1867–1933
Best known for The Forsyte Saga, this English novelist and playwright wrote with sharp sympathy about money, class, and the quiet pressures of family life. His storytelling earned him the 1932 Nobel Prize in Literature.
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