
NOTE DEL TRASCRITTORE:
This work opens with a meticulous editor’s note that explains the careful restoration of the original text, from correcting typographical slips to gathering all scholarly annotations in a single appendix. The author then declares his intent to question the very title “Origin of the Italian Language,” arguing that such a label can mislead and that a more precise focus is needed. From the outset, he sets the stage for a wide‑ranging inquiry, inviting listeners to follow his reasoning about what truly counts as “Italian” in both spoken and written forms.
The dissertation proceeds to map the complex family of Romance languages, touching on the Ladin, Franco‑Provençal, and the special case of Romanian, while also examining how indigenous tongues and “barbaric” influences interacted with Latin. Early chapters explore the distinction between spoken and literary Latin, the role of popular versus learned vocabulary, and the earliest vernacular documents from the fourth to the tenth centuries. Throughout, the author blends historical examples, linguistic statistics, and methodological reflections, promising a thoughtful journey into the tangled roots of Italy’s linguistic heritage.
Language
it
Duration
~1 hours (92K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Giovanni Fini and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-10-21
Rights
Public domain in the USA.
Subjects

1844–1922
An Italian educator, writer, grammarian, and poet, he devoted much of his work to language, literature, and the teaching of clear Italian prose. His career also crossed into public life, linking the classroom, literary criticism, and national culture in late 19th- and early 20th-century Italy.
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