
Transcriber’s Note
OLD ENGLISH COLOUR-PRINTS
PREFATORY NOTE.
LIST OF ILLUSTRATIONS.
OLD ENGLISH COLOUR-PRINTS
II.
III.
NOTES ON THE ILLUSTRATIONS.
A richly illustrated survey of early British colour prints, this volume brings together more than thirty‑seven plates that once graced the walls of private collections. Each image is reproduced with care, from delicate stipple engravings of society portraits by Bartolozzi and Wilkin to lively mezzotints capturing countryside life by Morland and Gainsborough. The accompanying notes explain the techniques, the artists’ origins, and the stories behind the subjects, offering listeners a guided tour of the visual culture of the period.
Beyond the striking images, the book reveals the collaborative spirit of early‑twentieth‑century scholarship, acknowledging the collectors who loaned their treasures for reproduction. Listeners will hear about the interplay of English and continental styles, the popularity of allegorical figures like “Cupid bound by Nymphs,” and the everyday scenes that once adorned London’s bustling streets. It’s an inviting entry point for anyone curious about the art of engraving and the social world it reflected.
Language
en
Duration
~2 hours (130K characters)
Publisher of text edition
Project Gutenberg
Original publisher
London: Offices of 'The Studio', 1909.
Credits
Fiona Holmes, Fay Dunn and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.
Release date
2023-10-01
Rights
Public domain in the USA.
Subjects
1855–1940
Known for bringing art and printmaking to a wider public, this English writer and critic moved easily between journalism, poetry, and lively books on artists and engravers. His work helped readers see prints not just as collectibles, but as a vivid part of cultural life.
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