Old English colour prints

audiobook

Old English colour prints

by Malcolm C. (Malcolm Charles) Salaman

EN·~2 hours·8 chapters

Chapters

8 total
1

Transcriber’s Note

0:10
2

OLD ENGLISH COLOUR-PRINTS

0:19
3

PREFATORY NOTE.

0:28
4

LIST OF ILLUSTRATIONS.

4:05
5

OLD ENGLISH COLOUR-PRINTS

28:38
6

II.

1:02:21
7

III.

20:55
8

NOTES ON THE ILLUSTRATIONS.

19:06

Description

A richly illustrated survey of early British colour prints, this volume brings together more than thirty‑seven plates that once graced the walls of private collections. Each image is reproduced with care, from delicate stipple engravings of society portraits by Bartolozzi and Wilkin to lively mezzotints capturing countryside life by Morland and Gainsborough. The accompanying notes explain the techniques, the artists’ origins, and the stories behind the subjects, offering listeners a guided tour of the visual culture of the period.

Beyond the striking images, the book reveals the collaborative spirit of early‑twentieth‑century scholarship, acknowledging the collectors who loaned their treasures for reproduction. Listeners will hear about the interplay of English and continental styles, the popularity of allegorical figures like “Cupid bound by Nymphs,” and the everyday scenes that once adorned London’s bustling streets. It’s an inviting entry point for anyone curious about the art of engraving and the social world it reflected.

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Details

Language

en

Duration

~2 hours (130K characters)

Publisher of text edition

Project Gutenberg

Original publisher

London: Offices of 'The Studio', 1909.

Credits

Fiona Holmes, Fay Dunn and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.

Release date

2023-10-01

Rights

Public domain in the USA.

About the author

MC

Malcolm C. (Malcolm Charles) Salaman

1855–1940

Known for lively writing on art, collecting, and printmaking, this English critic and journalist moved easily between the worlds of literature and the visual arts. His books helped introduce readers to artists, etchers, and the culture of collecting in late Victorian and early 20th-century Britain.

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