Oeuvres complètes, tome 3

audiobook

Oeuvres complètes, tome 3

by Laurence Sterne

FR·~4 hours·101 chapters

Chapters

101 total
1

ŒUVRES COMPLÈTES DE LAURENT STERNE.

0:15
2

CHAPITRE PREMIER. L'embarras du choix.

9:36
3

CHAPITRE II. Chapitre des Choses.

3:55
4

CHAPITRE III. Préambule.

11:48
5

CHAPITRE IV. Peine perdue.

4:17
6

CHAPITRE V. Pensées sur la Mort.

12:02
7

CHAPITRE VI. Nouveau genre de mort.

0:33
8

CHAPITRE VII. Ma mère est aux écoutes.

0:52
9

CHAPITRE VIII. Parallèle de deux Orateurs.

3:45
10

CHAPITRE IX. Trim monte en chaire.

6:43

Description

In this lively segment of the Shandy saga, the narrator’s father wrestles with a sudden windfall left by a distant aunt. The unexpected thousand‑pound legacy sparks a torrent of ideas, from grand architectural schemes to distant travels, each more fanciful than the last. As he paces the canal, he must decide whether to invest in the promising Oxmoor estate or fund his brother Robert’s long‑awaited European tour, a tradition that grants the eldest son the freedom to roam.

The passage captures Sterne’s signature blend of humor and philosophical digression, turning a simple financial dilemma into a broader meditation on choice, duty, and the weight of family customs. Listeners will enjoy the witty, rambling prose that swings between earnest contemplation and playful exaggeration, offering a charming glimpse into the eccentric world of the Shandys without revealing the story’s later resolutions.

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Details

Language

fr

Duration

~4 hours (270K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Clarity and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2020-04-17

Rights

Public domain in the USA.

About the author

Laurence Sterne

Laurence Sterne

1713–1768

Best known for the wildly inventive Tristram Shandy, this 18th-century writer turned digression, wit, and comic surprise into an art form. He was also an Anglican clergyman whose lively, unconventional voice helped reshape the English novel.

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