
COPYRIGHT 1913 BY LADY GREGORY - TO THE RT. HON. W.F. BAILEY COUNSELLOR, PEACEMAKER, FRIEND - ABBEY THEATRE, 1913. - THE BOGIE MEN THE FULL MOON COATS DAMER'S GOLD MCDONOUGH'S WIFE NOTES - THE BOGIE MEN - PERSONS
THE BOGIE MEN
THE FULL MOON - TO ALL SANE PEOPLE IN OR OUT OF CLOON WHO KNOW THEIR NEIGHBOURS TO BE NATURALLY CRACKED OR SOMEWAY QUEER OR TO HAVE GONE WRONG IN THE HEAD.
THE FULL MOON
COATS
DAMER'S GOLD - A COMEDY IN TWO ACTS - PERSONS
DAMER'S GOLD - ACT I
ACT II
NOTES - THE BOGIE MEN
In this lively early‑twentieth‑century comedy, a modest sweep named Darby finds himself in a humble roadside shed, clutching a tin of water and a sweep’s bag while a showy suit of clothing tempts him from its hiding place. The scene opens with a quick‑witted exchange between Darby and his unexpected visitor, Taig O’Harragha, a fellow traveller whose chatter drifts between family gossip, rumors of distant cousins, and the everyday hustle of country life. Their banter, laced with the sing‑song cadence of rural Irish speech, instantly sets a warm, humorous tone that invites listeners into a world where simple chores become the stage for larger questions of status, ambition, and kinship.
Through rapid repartee and vivid, earthy descriptions, the piece gently sketches the contrast between humble labor and the allure of genteel comfort. As the two characters swap stories about mothers, relatives, and the fickle fortunes of merchants, their conversation reveals both the pride and the insecurity that accompany modest aspirations. Listeners will find the humor both accessible and richly rooted in the rhythms of an age when a single tin of water could spark a cascade of clever, heartfelt dialogue.
Language
en
Duration
~3 hours (178K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-03-01
Rights
Public domain in the USA.
Subjects

1852–1932
A central figure in the Irish Literary Revival, she helped build Ireland’s national theatre while turning old myths, folk tales, and everyday village speech into vivid, memorable writing. Her plays and retellings still offer a lively doorway into Irish storytelling.
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