
BY - JAMES HUNEKER
Copyright, 1902, by Charles Scribner's Sons
All rights reserved
Published, February, 1902
University Press: John Wilson and Son, Cambridge, U.S.A.
TO PHILIP HALE
MELOMANIACS
THE LORD'S PRAYER IN B
A SON OF LISZT
A CHOPIN OF THE GUTTER
In a foreboding hall of endless domes, Baruch Mendoza—a gifted yet defiant musician—stands before a legion of black‑robed monks and a cold, calculating Grand Inquisitor. The space throbs with a solitary drum beating a mournful B, its rhythm echoing the thin line between salvation and silence. As the inquisitors demand his renunciation, Mendoza’s eyes sweep over profane frescoes and a blazing organ, a stark contrast to the grim ceremony that threatens to crush his spirit.
The novel unfolds as a tense meditation on art, belief, and the power of a single note to defy oppression. Baruch’s inner turmoil—caught between his heretical philosophy and the crushing weight of the Inquisition—drives a suspenseful first act that reverberates with both intellectual intrigue and visceral dread. Listeners are drawn into a world where music becomes a battleground for the soul, setting the stage for a confrontation that could reshape a life.
Language
en
Duration
~7 hours (447K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards, Barbara Kosker and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2009-08-22
Rights
Public domain in the USA.
Subjects

1857–1921
A vivid early American critic, he brought music, art, books, and theater to life for readers with energy, strong opinions, and a deep love of culture. His writing helped introduce U.S. audiences to major European artists and ideas at a time when modern criticism was still finding its voice.
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