Melomaniacs

audiobook

Melomaniacs

by James Huneker

EN·~7 hours·31 chapters

Chapters

31 total
1

BY - JAMES HUNEKER

0:12
2

Copyright, 1902, by Charles Scribner's Sons

0:02
3

All rights reserved

0:01
4

Published, February, 1902

0:01
5

University Press: John Wilson and Son, Cambridge, U.S.A.

0:03
6

TO PHILIP HALE

0:42
7

MELOMANIACS

0:00
8

THE LORD'S PRAYER IN B

12:39
9

A SON OF LISZT

10:41
10

A CHOPIN OF THE GUTTER

14:56

Description

In a foreboding hall of endless domes, Baruch Mendoza—a gifted yet defiant musician—stands before a legion of black‑robed monks and a cold, calculating Grand Inquisitor. The space throbs with a solitary drum beating a mournful B, its rhythm echoing the thin line between salvation and silence. As the inquisitors demand his renunciation, Mendoza’s eyes sweep over profane frescoes and a blazing organ, a stark contrast to the grim ceremony that threatens to crush his spirit.

The novel unfolds as a tense meditation on art, belief, and the power of a single note to defy oppression. Baruch’s inner turmoil—caught between his heretical philosophy and the crushing weight of the Inquisition—drives a suspenseful first act that reverberates with both intellectual intrigue and visceral dread. Listeners are drawn into a world where music becomes a battleground for the soul, setting the stage for a confrontation that could reshape a life.

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Details

Language

en

Duration

~7 hours (447K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Edwards, Barbara Kosker and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2009-08-22

Rights

Public domain in the USA.

About the author

James Huneker

James Huneker

1857–1921

A vivid early American critic, he brought music, art, books, and theater to life for readers with energy, strong opinions, and a deep love of culture. His writing helped introduce U.S. audiences to major European artists and ideas at a time when modern criticism was still finding its voice.

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