
audiobook
VOLUME II, Part 2: 1886-1900 - CLXII - BROWNING, MEREDITH, AND MEISTERSCHAFT
Produced by David Widger
CLXIII. LETTER TO THE QUEEN OF ENGLAND
CLXIV
CLXV. LETTERS, VISITS, AND VISITORS
CLVXI. A "PLAYER" AND A MASTER OF ARTS
R. S. V. P.
CLXVII. NOTES AND LITERARY MATTERS
CLXVIII. INTRODUCING NYE AND RILEY AND OTHERS
CLXIX. THE COMING OF KIPLING
In the latter half of the nineteenth century, the celebrated humorist turned his keen intellect toward the demanding verses of Robert Browning. He gathered a small circle of friends for Saturday‑morning readings, dissecting each line with the precision of a scholar and the flair of a storyteller. His notes reveal a mind that treated poetry like a telescope, searching dark spaces for sudden flashes of brilliance that he eagerly shared with his listeners.
Beyond Browning, he scrutinized the works of George Meredith, William Makepeace Thackeray and Thomas Carlyle, often re‑reading them as his own views evolved. His candid commentary—ranging from gentle amusement at Meredith’s characters to fiery self‑reflection after revisiting Carlyle’s history—offers a vivid portrait of a man constantly reshaping his own ideas. Interwoven with these literary pursuits are glimpses of his domestic life, the challenges of managing a farm, and the financial strains that began to surface, all painting a richly textured portrait of Twain’s final, introspective years.
Language
en
Duration
~8 hours (464K characters)
Publisher of text edition
Project Gutenberg
Release date
Oct 4, 2004
Rights
Public domain in the USA.

1861–1937
A gifted author and biographer, he is best remembered for his close association with Mark Twain and his landmark account of Twain’s life. His wide-ranging work also included travel writing, children’s books, and other biographies.
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