Mammonart: An essay in economic interpretation

audiobook

Mammonart: An essay in economic interpretation

by Upton Sinclair

EN·~15 hours·113 chapters

Chapters

113 total
1

MAMMONART

0:26
2

MAMMONART - CHAPTER I OGI, THE SON OF OG

14:48
3

CHAPTER II WHO OWNS THE ARTISTS?

12:04
4

CHAPTER III ART AND PERSONALITY

7:16
5

CHAPTER IV THE LABORER AND HIS HIRE

5:43
6

CHAPTER V THE LORD’S ANOINTED

5:31
7

CHAPTER VI ARTIFICIAL CHILDHOOD

5:22
8

CHAPTER VII MRS. OGI EMERGES

3:02
9

CHAPTER VIII THE HORSE-TRADE

5:50
10

CHAPTER IX THE CLASS LIE

5:11

Description

In this inventive essay the author rewinds time to a prehistoric night when Ogi, son of Og, first scratches the outline of a hunted aurochs into the dirt beside a fire. The simple act of drawing sparks a thrill that the tribe interprets as magic, hinting at the birth of visual representation and its power to conjure desire. Through vivid, almost mythic storytelling, the piece shows how early humans learned to turn the image of a beast into a shared symbol of abundance.

The narrative then leaps forward, drawing a surprising parallel between those first cave markings and the glossy still‑life paintings that adorn modern dining rooms of the wealthy. By tracing how pictures of food and luxury become shorthand for value, the essay argues that art and commerce have been intertwined since the very first sketch. Readers are invited to consider how the impulse to represent and to trade is rooted in our oldest instincts, making the work a thoughtful meditation on the economic life of images.

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Details

Language

en

Duration

~15 hours (864K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: self-published, 1925.

Credits

Tim Lindell, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2022-09-22

Rights

Public domain in the USA.

About the author

Upton Sinclair

Upton Sinclair

1878–1968

Best known for The Jungle, he turned fiction into a tool for exposing injustice and pushing for reform. His stories mixed sharp reporting, moral urgency, and a deep belief that writing could change public life.

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