
MAMMONART
MAMMONART - CHAPTER I OGI, THE SON OF OG
CHAPTER II WHO OWNS THE ARTISTS?
CHAPTER III ART AND PERSONALITY
CHAPTER IV THE LABORER AND HIS HIRE
CHAPTER V THE LORD’S ANOINTED
CHAPTER VI ARTIFICIAL CHILDHOOD
CHAPTER VII MRS. OGI EMERGES
CHAPTER VIII THE HORSE-TRADE
CHAPTER IX THE CLASS LIE
In this inventive essay the author rewinds time to a prehistoric night when Ogi, son of Og, first scratches the outline of a hunted aurochs into the dirt beside a fire. The simple act of drawing sparks a thrill that the tribe interprets as magic, hinting at the birth of visual representation and its power to conjure desire. Through vivid, almost mythic storytelling, the piece shows how early humans learned to turn the image of a beast into a shared symbol of abundance.
The narrative then leaps forward, drawing a surprising parallel between those first cave markings and the glossy still‑life paintings that adorn modern dining rooms of the wealthy. By tracing how pictures of food and luxury become shorthand for value, the essay argues that art and commerce have been intertwined since the very first sketch. Readers are invited to consider how the impulse to represent and to trade is rooted in our oldest instincts, making the work a thoughtful meditation on the economic life of images.
Language
en
Duration
~15 hours (864K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: self-published, 1925.
Credits
Tim Lindell, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2022-09-22
Rights
Public domain in the USA.

1878–1968
Best known for The Jungle, he turned fiction into a tool for exposing injustice and pushing for reform. His stories mixed sharp reporting, moral urgency, and a deep belief that writing could change public life.
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