Lost Sir Massingberd: A Romance of Real Life. v. 1/2

audiobook

Lost Sir Massingberd: A Romance of Real Life. v. 1/2

by James Payn

EN·~4 hours·17 chapters

Chapters

17 total
1

PREFATORY.

3:27
2

CHAPTER I. - GIANT DESPAIR.

14:36
3

CHAPTER II. - MY FIRST INTERVIEW.

16:37
4

CHAPTER III. - THE DREAM BY THE BROOK.

11:55
5

CHAPTER IV. - THE DUMB WITNESS.

28:35
6

CHAPTER V. - THE STATE BEDROOM.

9:47
7

CHAPTER VI. - HEAD OVER HEELS.

12:17
8

CHAPTER VII. - AT THE DOVECOT.

18:26
9

CHAPTER VIII. - MEETING HIS MATCH.

12:05
10

CHAPTER IX. - MR. HARVEY GERARD.

21:09

Description

A witty, self‑aware narrator opens the tale by lampooning the modern obsession with publishing, noting that even the household staff and children feel compelled to put their thoughts into print. This playful framing gives way to the central figure of the story: a once‑celebrated baronet, Sir Massingberd, now reduced to penury despite his lofty lineage. His fortunes have vanished, his estates are entailed away, and he lives on a meager life‑interest, his sharp wit the only weapon he can wield against a world that has forgotten him.

The first chapter plunges listeners into Sir Massingberd’s desperate world, where “giant despair” looms over his every move. He haunts the grand halls of Carlton House, recalling a time when he was the darling of society, yet now he clings to petty anecdotes and bitter sarcasm to survive. As his financial ruin forces him into uneasy encounters with clergy, fellow gentry, and curious strangers, the stage is set for a romance that feels as much about reclaiming dignity as it is about love.

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Details

Language

en

Duration

~4 hours (253K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Andrea Ball, Christine Bell & Marc D'Hooghe (From images generously made available by the Internet Archive.)

Release date

2011-08-23

Rights

Public domain in the USA.

About the author

James Payn

James Payn

1830–1898

A hugely popular Victorian storyteller, he mixed sharp humor with fast-moving plots and helped shape literary magazines as well as novels. His fiction was known for being readable, lively, and made for a broad audience.

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