
By Wilkie Collins
MRS. ZANT AND THE GHOST. - I.
MISS MORRIS AND THE STRANGER. - I.
MR. COSWAY AND THE LANDLADY. - I.
MR. MEDHURST AND THE PRINCESS. - I.
MR. LISMORE AND THE WIDOW. - I.
MISS JÉROMETTE AND THE CLERGYMAN. - I.
MISS MINA AND THE GROOM - I.
MR. LEPEL AND THE HOUSEKEEPER - FIRST EPOCH.
MR. CAPTAIN AND THE NYMPH. - I.
In the bright spring of 1901 a solitary widower takes his young daughter Lucy for a stroll through Kensington Gardens, hoping the simple pleasure of play will lift their quiet lives. Their routine is shattered when Lucy insists a strange lady has appeared, pale and mute, watching them from the shadows of an alcove. The father’s attempt to calm his child leads them closer to the unsettling figure, whose mournful presence seems to defy ordinary explanation.
The story unfolds as the pair grapple with a phenomenon that feels more like a sensation than a sight, inviting readers to consider whether the world can truly harbor a ghost that manifests in daylight. Through Lucy’s innocent terror and her father’s skeptical resolve, the narrative balances reason and faith, setting the stage for a mystery that teeters between the tangible and the ethereal. The author deliberately leaves the source of the lady’s distress ambiguous, prompting listeners to question the nature of the unseen.
As the encounter deepens, the garden becomes a liminal space where ordinary perception meets the uncanny, and the characters must decide how far they will follow a presence that seems both human and otherworldly. Their choices hint at larger questions about belief, loss, and the lingering echo of lives left unfinished, all while the story remains anchored in the gentle, everyday rhythm of a father‑daughter walk.
Language
en
Duration
~14 hours (811K characters)
Publisher of text edition
Project Gutenberg
Credits
James Rusk and David Widger
Release date
1999-02-01
Rights
Public domain in the USA.

1824–1889
A master of suspense and sensation fiction, this Victorian storyteller helped shape the modern mystery novel with unforgettable twists and sharply observed characters. Best known for The Woman in White and The Moonstone, he wrote stories that still feel lively, eerie, and surprisingly modern.
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