Les metteurs en scène

audiobook

Les metteurs en scène

by Edith Wharton

FR·~6 hours·8 chapters

Chapters

8 total

LES METTEURS EN SCÈNE - I

35:47

LES DEUX AUTRES - I

49:33

ÉCHÉANCE - I

52:39

LENDEMAIN - I

1:04:34

LA TRAGÉDIE DE LA MUSE - I

37:19

LE CONFESSIONNAL - I

1:27:33

LE VERDICT

23:22

L’ERMITE ET LA FEMME SAUVAGE - I

1:03:05

Description

At the heart of a bustling Parisian hotel, the polished redingote of Jean Le Fanois glints beside the gilt‑carved Louis XV salon, where tea is being served and whispers travel faster than the clink of fine china. He meets Miss Lambart, a poised American traveler whose light‑blonde hair and confident stride mask a subtle blend of Parisian refinement and New‑World daring. Their banter, peppered with irony and a hint of rivalry, quickly turns to a curious mission involving the enigmatic Mrs Smithers and her charming daughter.

The trio’s interaction opens a window onto the delicate dance of ambition and reputation that defines the hotel’s glittering corridors, where every introduction may conceal a hidden agenda. As Le Fanois probes the rumors surrounding Mrs Smithers, listeners are drawn into a world of fashionable intrigue, cultural clash, and the quiet tension between appearance and reality. The stage is set for a witty, character‑driven exploration of what it means to play a role in a society that values wealth, connections, and the art of conversation.

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Details

Language

fr

Duration

~6 hours (397K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

Release date

May 19, 2018

Rights

Public domain in the USA.

About the author

Edith Wharton

Edith Wharton

1862–1937

Born into old New York society, this sharp-eyed novelist turned its manners, money, and quiet cruelties into some of American fiction’s most memorable stories. She became the first woman to win the Pulitzer Prize for Fiction, and her work still feels startlingly modern in its honesty.

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