
Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée.
Les - FEMMES QUI TUENT - et les - FEMMES QUI VOTENT
ALEXANDRE DUMAS FILS - de l'Académie Française - LES - FEMMES QUI TUENT - ET LES - FEMMES QUI VOTENT - DOUZIÈME ÉDITION
A spirited essay from the late 1800s that dives into the tangled relationship between crime, gender, and the emerging fight for women’s political rights. Written as a lively correspondence, it frames a heated public debate sparked by recent court cases involving notorious female perpetrators. The author juxtaposes sensational newspaper coverage with thoughtful reflections on how a legal system dominated by men shapes both the perception and reality of women’s agency.
Through witty wordplay and sharp rhetoric, the work challenges readers to consider whether society’s fascination with “women who kill” might paradoxically fuel the push for suffrage. It weaves together courtroom drama, philosophical musings, and a call for legal reform, all while maintaining a tone that is both provocative and surprisingly humane. Listeners will be drawn into a snapshot of a pivotal moment when the fight for justice and equality collided in the pages of French public discourse.
Language
fr
Duration
~2 hours (157K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Hélène de Mink and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)
Release date
2009-09-08
Rights
Public domain in the USA.
Subjects

1824–1895
Best known for writing The Lady of the Camellias, he turned personal experience into a story that traveled far beyond the page and inspired Verdi's La Traviata. His work helped shape modern social drama by mixing romance with sharp moral questions.
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