
LE CYCLE DE PRINTEMPS
PROLOGUE
ACTE PREMIER
ACTE DEUXIÈME - PRÉLUDE DE CHANT
ACTE TROISIÈME - PRÉLUDE DE CHANT
ACTE QUATRIÈME - PRÉLUDE DE CHANT
TABLE DES MATIÈRES
In a richly imagined palace, a nervous king grapples with a sudden, unsettling illness while his court bustles with officials, foreign envoys, and mischievous children. The stage is split in two levels, the upper reserved for singers and the lower for the drama of court life, creating a vivid tableau where whispers of impending doom mingle with the clatter of ceremonial duties. As courtiers scramble to bring the royal doctor and decipher cryptic messages about a bell that only the monarch seems to hear, a tension builds between duty and the uncanny.
The dialogue swirls with lyrical absurdity, hinting at deeper questions about fate, mortality, and the fragile veneer of power. Characters such as the Vizier, the Chinese ambassador, and the court poet each reveal their own anxieties, while the king’s obsession with a stray gray hair becomes a symbol of his waning vigor. This opening act sets a tone of elegant intrigue, inviting listeners into a world where the ordinary and the mystical collide.
Language
fr
Duration
~1 hours (80K characters)
Publisher of text edition
Project Gutenberg
Original publisher
France: Stock, 1926.
Credits
René Galluvot (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
Release date
Feb 20, 2023
Rights
Public domain in the USA.

1861–1941
A towering figure of the Bengal Renaissance, Rabindranath Tagore transformed poetry, music, drama, and education with work rooted in both Bengali culture and universal humanism. His collection Gitanjali earned him the 1913 Nobel Prize in Literature.
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