Las máscaras, vol. 1/2

A thoughtful collection of early‑twentieth‑century essays, this volume brings together a series of theatrical critiques that were originally scattered across various journals. The author examines the evolving nature of drama, arguing that unlike other literary genres, the stage remains in a state of transition, ripe for new ideas and experimentation. By reflecting on the broader aesthetic currents of his time, he offers a clear framework for understanding how modern Spanish theatre is reshaping its conventions.

The first two pieces focus on landmark productions of the era: a review of Galdós’s Casandra and a later analysis of Benavente’s El collar de estrellas. Through these studies the writer reveals a consistent set of principles—rooted in careful observation and a meditative approach to art—that underpin his evolving theory of drama. Readers will find a blend of historical insight and fresh perspective that illuminates the challenges and possibilities confronting the theatrical world at the turn of the century.