
New York and London Harper & Brothers Publishers
ILLUSTRATIONS
NOTE
KING SPRUCE - CHAPTER I - UP IN “CASTLE CUT ’EM”
CHAPTER II - THE HEIRESS OF “OAKLANDS”
CHAPTER III - THE MAKING OF A “CHANEY MAN”
CHAPTER IV - THE BOSS OF THE “BUSTERS”
CHAPTER V - DURING THE PUGWASH HANG-UP
CHAPTER VI - AS FOUGHT BEFORE THE “IT-’LL-GIT-YE CLUB”
CHAPTER VII - ON MISERY GORE
In the early 1900s the great pine forests of Maine pulse with the clatter of saw‑saws and the roar of river drives, a world where timber is as much a currency as gold. A young, college‑educated man arrives at the bustling outpost called “Castle Cut ’Em,” his stride confident yet his eyes taking in the weary lumberjacks and the grim, yawning mouths of the mills that line the canal. The scene is alive with the strange mixture of song, sweat, and the ever‑present hum of the forest’s own machinery.
There he steps into the shadow of the man known as King Spruce, the unofficial ruler of a million acres of timber and the master of the yearly stumpage contracts. Inside the modest office, seasoned buyers and rough‑handed foresters exchange muted chatter about logs, dams, and the coming spring drive, while the newcomer’s classical education paints the industrial landscape as a field of chained monsters. As he watches the seasoned men negotiate with the high chamberlain, he senses both opportunity and the weight of a world that moves to the rhythm of the river and the will of a single, towering figure.
Language
en
Duration
~10 hours (613K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Audrey Longhurst, D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2011-01-13
Rights
Public domain in the USA.

1865–1935
A lively Maine storyteller, journalist, and poet, his books turned the state’s woods, coast, and small-town politics into energetic fiction. He also crossed into early filmmaking, giving his career a wider reach than many regional writers of his time.
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