Journeys to Bagdad

audiobook

Journeys to Bagdad

by Charles S. (Charles Stephen) Brooks

EN·~2 hours·12 chapters

Chapters

12 total

JOURNEYS TO BAGDAD

0:30

CONTENTS

0:21

JOURNEYS TO BAGDAD

23:07

THE WORST EDITION OF SHAKESPEARE

20:29

THE DECLINE OF NIGHT-CAPS

9:44

MAPS AND RABBIT-HOLES

12:01

TUNES FOR SPRING

13:04

RESPECTFULLY SUBMITTED TO A MOURNFUL AIR

5:07

THE CHILLY PRESENCE OF HARD-HEADED PERSONS

9:07

HOOPSKIRTS & OTHER LIVELY MATTER

13:33

Description

A delightfully rambling set of essays invites listeners to pause their daily routines and wander, at least in imagination, toward distant horizons. The author’s voice blends dry humor with a keen eye for the ordinary, turning a cramped ship‑chandlery and the scent of hemp and tar into a portal for daydreams of adventure. Readers are gently coaxed into the mindset of the “elect” who feel the pull of travel whenever spring’s promise or autumn’s wind stirs the soul.

The opening piece, “Journeys to Bagdad,” sketches a vivid, almost tactile scene of rope‑laden warehouses, rust‑colored hooks, and the lingering aroma of a bustling port. Rather than urging a literal sea‑voyage, the narrator explores an inner longing for open fields, quiet country walks, and the faint echo of pirate ancestors, all wrapped in a witty, self‑aware tone.

Scattered through the collection are similarly quirky meditations—on the oddities of Shakespeare’s editions, the decline of night‑caps, and the curious geometry of maps—each offering a brief, thought‑provoking detour that feels both scholarly and playfully conversational.

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Details

Language

en

Duration

~2 hours (126K characters)

Publisher of text edition

Project Gutenberg

Release date

Dec 12, 2006

Rights

Public domain in the USA.

Subjects

About the author

Charles S. (Charles Stephen) Brooks

Charles S. (Charles Stephen) Brooks

1878–1934

Known for graceful, witty essays about everyday life, this American writer brought warmth and humor to subjects that might otherwise seem ordinary. He also played an important role in the early history of the Cleveland Play House.

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