Joseph Hergesheimer, an essay in interpretation

audiobook

Joseph Hergesheimer, an essay in interpretation

by James Branch Cabell

EN·~30 minutes·11 chapters

Chapters

11 total
1

Joseph Hergesheimer

0:44
2

ONE

2:25
3

TWO

2:46
4

THREE

2:27
5

FOUR

2:15
6

FIVE

4:38
7

SIX

4:50
8

SEVEN

1:36
9

EIGHT

2:50
10

NINE

3:07

Description

This thoughtful essay opens with a vivid picture of Joseph Hergesheimer’s long, solitary struggle to find a publishing home, framing his perseverance as a kind of literary fable. The author traces fourteen years of unanswered submissions, using that history to illuminate why Hergesheimer’s novels are united by single‑minded characters driven by relentless desire. By linking the writer’s own obstinate will to the motives that animate his protagonists, the piece offers a fresh lens on the recurring themes of ambition and yearning in his work.

The discussion then turns to Hergesheimer’s women, portrayed as ornamental yet purposeful figures who both distract and embody ideals within his narratives. Through careful analysis, the essay suggests that these characters function less as romantic partners and more as symbolic trophies or avocational interests, reflecting the author’s broader view of human purpose. Overall, the essay provides an engaging, nuanced interpretation that invites listeners to reconsider the deeper currents shaping Hergesheimer’s stories.

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Details

Language

en

Duration

~30 minutes (29K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Chicago: The Bookfellows, 1921.

Credits

Bob Taylor, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2023-12-02

Rights

Public domain in the USA.

About the author

James Branch Cabell

James Branch Cabell

1879–1958

Best known for the witty and once-controversial novel Jurgen, this Richmond-born writer brought fantasy, satire, and sharp social comedy together in a style that made him a standout voice of the early 20th century. Admired by literary contemporaries such as H. L. Mencken and Sinclair Lewis, he wrote with elegance, irony, and a taste for the absurd.

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