
JEZEBEL'S DAUGHTER
PART I
BETWEEN THE PARTS
PART II
POSTSCRIPT
PART I - MR. DAVID GLENNEY CONSULTS HIS MEMORY AND OPENS THE STORY
BETWEEN THE PARTS - MR. DAVID GLENNEY PRODUCES HIS CORRESPONDENCE, AND THROWS SOME NEW LIGHTS ON THE STORY - I
PART II - MR. DAVID GLENNEY COLLECTS HIS MATERIALS AND CONTINUES THE STORY HISTORICALLY
POSTSCRIPT - MR. DAVID GLENNEY RETURNS TO FRANKFORT, AND CLOSES THE STORY - I
The story opens with the uncanny coincidence of two prominent men—one a London merchant, the other a German chemist—meeting their ends on the same September day in 1828. Their widows, an English lady without children and a German mother with a daughter, become the unlikely anchors of a tale that weaves together grief, reputation, and the secrets that linger long after death. As the narrative unfolds, the reader is drawn into the lives shaped by these losses, especially the enigmatic daughter whose name hints at scandal and redemption.
Among the cast, Jack Straw stands out as a gently simple mind whose kindness offers moments of light amid darker twists, while Madame Fontaine embodies a fierce maternal instinct that both protects and challenges the world around her. Their interactions reveal the fragile balance between societal judgment and personal virtue, all set against meticulously described backdrops such as the eerie Deadhouse of Frankfurt.
With a blend of Victorian intrigue and thoughtful moral examination, the novel invites listeners to contemplate how love, prejudice, and hidden histories can shape the course of lives across borders and generations.
Language
en
Duration
~9 hours (561K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by James Rusk. HTML version by Al Haines.
Release date
2003-01-01
Rights
Public domain in the USA.

1824–1889
A master of suspense and sensation fiction, this Victorian storyteller helped shape the modern mystery novel with unforgettable twists and sharply observed characters. Best known for The Woman in White and The Moonstone, he wrote stories that still feel lively, eerie, and surprisingly modern.
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