
IVORY APES AND PEACOCKS
IVORY APES AND PEACOCKS - JOSEPH CONRAD, WALT WHITMAN, JULES LAFORGUE, DOSTOÏEVSKY AND TOLSTOY, SCHOENBERG, WEDEKIND, MOUSSORGSKY, CÉZANNE, VERMEER, MATISSE, VAN GOGH, GAUGUIN, ITALIAN FUTURISTS, VARIOUS LATTER-DAY POETS, PAINTERS, COMPOSERS AND DRAMATISTS - BY - JAMES HUNEKER - NEW YORK CHARLES SCRIBNER'S SONS 1917
COPYRIGHT, 1915, BY CHARLES SCRIBNER'S SONS Published September, 1915
To - JOHN QUINN
IVORY APES AND PEACOCKS
I. THE GENIUS OF JOSEPH CONRAD - I
II
III
II. A VISIT TO WALT WHITMAN
III. THE BUFFOON OF THE NEW ETERNITIES: JULES LAFORGUE - I
A rich tapestry of early‑twentieth‑century criticism, this volume opens with a reverent meditation on Joseph Conrad, portraying him as a solitary navigator of both sea and soul. The author sketches Conrad’s blend of adventurous prose and psychological insight, inviting listeners to hear the “sea‑shell” of his narrative echoing across distant horizons.
From there the essays wander through an eclectic parade of cultural icons—Whitman’s boundless verses, the ironic flair of Jules Laforgue, the Russian giants Dostoevsky and Tolstoy, and the daring experiments of Schoenberg and Wedekind. Interlaced with vivid portraits of painters from Vermeer to Van Gogh and discussions of futurist fervor, the book offers a panoramic look at how literature, music, and visual art intersected in a restless age. The tone remains thoughtful rather than didactic, letting each figure’s unique “nuance” shine while suggesting the larger pulse of modern creativity.
Language
en
Duration
~7 hours (452K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards, Ritu Aggarwal and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2010-01-19
Rights
Public domain in the USA.

1857–1921
A vivid early American critic, he brought music, art, books, and theater to life for readers with energy, strong opinions, and a deep love of culture. His writing helped introduce U.S. audiences to major European artists and ideas at a time when modern criticism was still finding its voice.
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