audiobook

Isabel Clarendon, Vol. 1 (of 2)

by George Gissing

EN·~5 hours·15 chapters

Chapters

15 total
1

ISABEL CLARENDON - BY GEORGE GISSING. - In Two Volumes. - Vol. I. - London: Chapman And Hall, Limited - Charles Dickens And Evans, Crystal Palace Press - 1886 - “C’était plus qu’une vue, hélas! c’était un monde Qui s’était effacé!”

0:14
2

ISABEL CLARENDON.

0:01
3

CHAPTER I.

32:15
4

CHAPTER II

20:10
5

CHAPTER III.

30:34
6

CHAPTER IV.

13:12
7

CHAPTER V.

29:32
8

CHAPTER VI.

28:17
9

CHAPTER VII.

23:09
10

CHAPTER VIII.

26:19

Description

A gentle sweep of the English countryside frames the story, where two winding paths—one ancient and meandering, the other a straight‑laced nineteenth‑century shortcut—lead between the sleepy parishes of Salcot East and Winstoke. The old road, shaded by oaks and holly, invites leisurely wanderers to linger over its crooked turns, while the newer highway, blunt and efficient, feels more like a folly imposed upon the land. This contrast sets a tone of quiet charm tinged with the stubborn persistence of tradition.

Into this bucolic tableau drifts Bernard Kingcote, a mid‑life traveller with a knapsack, a stick he’s whittled, and a few cherished books. He pauses at the White Hart Inn, where a dancing bear has become the day’s unlikely spectacle, and an inebriated stranger’s sudden shove nudges him back onto the ancient track. That simple jolt hints at hidden currents beneath the pastoral surface, promising a journey where familiar scenery may soon give way to unexpected encounters.

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Details

Language

en

Duration

~5 hours (328K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger from page images generously provided by the Internet Archive

Release date

2017-03-25

Rights

Public domain in the USA.

About the author

George Gissing

George Gissing

1857–1903

A sharp-eyed Victorian novelist, he wrote with unusual honesty about working life, money troubles, and the quiet frustrations of ordinary people. His best-known books still feel modern in the way they look at ambition, loneliness, and social pressure.

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