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TO GEORGE HORACE LORIMER
PREFACE
A wildly inventive tale opens with a self‑referential note on the quirks of digital text, then slides into a raucous preface that riffs on art, poetry and the absurdities of everyday language. The narrator stitches together fragmented verses, mock‑sermons, and tongue‑in‑cheek proverbs, creating a carnival‑mirror of literary conventions. As the scene shifts to a remote railway stop, a talkative station agent recounts the legend of Clarence Guilford, a flamboyant poet who dresses his daughters in boys’ trousers and builds stone shelters that become impromptu shrines for curious travelers.
Through the agent’s rambling observations, the story sketches a landscape of forbidding mountains, whispering forests, and a lone track that seems to lead nowhere but curiosity. The atmosphere crackles with the scent of dry grass, the clink of unseen keys, and the distant hum of poets‑turned‑myths. Listeners are invited to wander with the characters, savoring the quirky humor and the lingering question of whether art can truly rise from its own death.
Language
en
Duration
~2 hours (133K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2008-01-25
Rights
Public domain in the USA.
Subjects

1865–1933
Best known today for the eerie stories in The King in Yellow, he was an American writer and trained artist whose work ranged from supernatural fiction to historical romance and popular magazine fiction. His reputation has endured largely because those uncanny tales went on to influence later horror writers.
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