
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V - “Why are you bringing me to Olympia?”
CHAPTER VI
CHAPTER I
CHAPTER II - “I’ve joined the Artists’ Rifles,” Dion said to Rosamund one day.
CHAPTER III
CHAPTER IV
Amedeo Dorini, the long‑serving porter of Milan’s Hotel Cavour, watches the late‑autumn omnibus arrive with a practiced eye. He catalogues the strangers spilling out—an economical German, a flamboyant French traveler, a solemn Englishwoman known as the Tabby—measuring their luggage and guessing their habits before they even set foot inside. His observations reveal a man who has turned the bustle of a grand hotel into a quiet study of human nature.
When a tall, graceful figure steps from the carriage and offers a hand to an elderly guest, a ripple of curiosity spreads through the lobby. The stranger’s polite command, “And now for Beatrice!” hints at hidden relationships and unseen motives among the guests. Among them is Dion Leith, an Englishman whose brief, lingering stare at a departing girl suggests a lingering mystery that will draw Amedeo deeper into the lives intersecting under the hotel’s glass‑roofed hall.
Language
en
Duration
~21 hours (1238K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Dagny; John Bickers; David Widger
Release date
Apr 13, 2006
Rights
Public domain in the USA.

1864–1950
Best known for stylish, atmospheric novels such as The Green Carnation and The Garden of Allah, this English writer moved easily between satire, travel, romance, and the supernatural. His books often drew on vivid settings in North Africa and on a sharp eye for society and human desire.
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