Ideas of Good and Evil

audiobook

Ideas of Good and Evil

by W. B. (William Butler) Yeats

EN·~5 hours·22 chapters

Chapters

22 total
1

*BY THE SAME WRITER—*

0:11
2

Ideas of Good and Evil

0:02
3

Ideas of Good and Evil. - By W. B. Yeats

0:54
4

WHAT IS ‘POPULAR POETRY’?

14:44
5

SPEAKING TO THE PSALTERY

10:59
6

MAGIC

40:03
7

THE HAPPIEST OF THE POETS

19:09
8

THE PHILOSOPHY OF SHELLEY’S POETRY

50:48
9

AT STRATFORD-ON-AVON

24:48
10

WILLIAM BLAKE AND THE IMAGINATION

7:29

Description

A lively series of essays, this collection follows a poet‑critic as he wrestles with what makes poetry truly “good” and how moral concerns shape artistic choices. From the restless energy of Irish ballads to the luminous symbolism of Blake and Shelley, each piece maps a terrain where folklore, politics and personal taste intersect. The author’s reflections on “popular poetry” reveal a yearning for a national voice that sings in its own colour rather than echoing English models.

The prose is part memoir, part scholarly survey, weaving anecdotes about Dublin societies, turf‑fire evenings in Connaught and the stubborn allure of Celtic myth. Readers hear a passionate argument for art that mirrors the landscape of its creator, while probing the broader links between imagination, belief and everyday life. The essays offer a window onto early twentieth‑century literary thought, inviting listeners to consider how cultural identity and moral imagination can reshape the very shape of verse.

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Details

Language

en

Duration

~5 hours (312K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2010-06-18

Rights

Public domain in the USA.

Subjects

About the author

W. B. (William Butler) Yeats

W. B. (William Butler) Yeats

1865–1939

A towering voice of Irish poetry and one of the key writers of literary modernism, he joined myth, politics, love, and the supernatural in verse that still feels vivid today. His work ranges from dreamy early lyrics to sharp, unforgettable poems like those of his later years.

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