
[Transcriber's Note: Archaic spellings in the original text have been retained in this version.]
HIEROGLYPHIC TALES.
PREFACE.
TALE 1. - A new Arabian Night's Entertainment.
TALE II. - The King and his three Daughters.
TALE III. - The Dice-Box. A Fairy Tale.
TALE IV. - The Peach in Brandy. A Milesian Tale.
NOTES ON TALE IV.
TALE V. - Mi Li. A Chinese Fairy Tale.
NOTES ON TALE V.
The opening pages set a playful, self‑aware tone, as the printer‑author confesses his modest means, his cramped attic studio, and his belief that these strange stories will outlive fleeting fashions. He treats the work as a kind of heirloom for future generations, sprinkling the preface with quirky claims about lost arts, secret inventions, and the inevitable decline of printing itself. This whimsical framing invites listeners to expect a blend of satire, philosophy, and outright absurdity, all delivered in deliberately archaic spelling that feels both ancient and deliberately contrived.
Beyond the introduction, the collection unfolds as a series of “Hieroglyphic Tales” that wander through impossible landscapes and paradoxical characters. Each story balances sharp wit with a faint echo of timeless moral reflection, offering listeners delightfully baffling scenarios that tease the imagination. The narrator’s voice remains both earnest and mischievous, making the experience feel like a secretive oral tradition finally whispered into the modern ear.
Language
en
Duration
~1 hours (61K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clare Boothby, Melissa Er-Raqabi and the Online Distributed Proofreading Team.
Release date
2004-11-20
Rights
Public domain in the USA.
Subjects

1717–1797
Best known for writing The Castle of Otranto, he helped launch the Gothic novel and gave later horror and fantasy writers a lasting model. He was also a lively letter writer, collector, and the creator of Strawberry Hill House, one of the landmarks of early Gothic Revival taste.
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