Hieroglyphic Tales

audiobook

Hieroglyphic Tales

by Horace Walpole

EN·~1 hours·12 chapters

Chapters

12 total
1

[Transcriber's Note: Archaic spellings in the original text have been retained in this version.]

0:06
2

HIEROGLYPHIC TALES.

0:11
3

PREFACE.

8:29
4

TALE 1. - A new Arabian Night's Entertainment.

10:04
5

TALE II. - The King and his three Daughters.

8:54
6

TALE III. - The Dice-Box. A Fairy Tale.

8:13
7

TALE IV. - The Peach in Brandy. A Milesian Tale.

6:21
8

NOTES ON TALE IV.

0:10
9

TALE V. - Mi Li. A Chinese Fairy Tale.

14:13
10

NOTES ON TALE V.

0:01

Description

The opening pages set a playful, self‑aware tone, as the printer‑author confesses his modest means, his cramped attic studio, and his belief that these strange stories will outlive fleeting fashions. He treats the work as a kind of heirloom for future generations, sprinkling the preface with quirky claims about lost arts, secret inventions, and the inevitable decline of printing itself. This whimsical framing invites listeners to expect a blend of satire, philosophy, and outright absurdity, all delivered in deliberately archaic spelling that feels both ancient and deliberately contrived.

Beyond the introduction, the collection unfolds as a series of “Hieroglyphic Tales” that wander through impossible landscapes and paradoxical characters. Each story balances sharp wit with a faint echo of timeless moral reflection, offering listeners delightfully baffling scenarios that tease the imagination. The narrator’s voice remains both earnest and mischievous, making the experience feel like a secretive oral tradition finally whispered into the modern ear.

Details

Language

en

Duration

~1 hours (61K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Clare Boothby, Melissa Er-Raqabi and the Online Distributed Proofreading Team.

Release date

2004-11-20

Rights

Public domain in the USA.

About the author

Horace Walpole

Horace Walpole

1717–1797

A witty, curious voice from the 18th century, he is best remembered for helping invent Gothic fiction with The Castle of Otranto. His letters and his fanciful home at Strawberry Hill also made him a lasting figure in English literary and cultural history.

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